The Picture of Dorian Gray
Oscar Wilde195descriptions found in the text — easy to miss while reading

Dorian Gray
Main
Synthesis
Extraordinarily handsome young man with finely curved scarlet lips, frank blue eyes, crisp gold hair. Has a finely chiselled nostrils, a chiselled throat, and a plastic throat. His face has all the candour of youth and youth's passionate purity. He looks like a young Greek martyr, with a rose-red youth and rose-white boyhood. His hair is rebellious and curly, tangled with gilded threads. His eyes are bright and can deepen into amethyst. He has a wonderfully beautiful face, with a look that makes one trust him at once. He is described as being made out of ivory and rose-leaves, like a Narcissus. Later, his face remains unchanged, with the same bloom of boyhood and unstained purity of youth, even as he ages.
❝ the full-length portrait of a young man of extraordinary personal beauty ❞
❝ this young Adonis, who looks as if he was made out of ivory and rose-leaves ❞
❝ he was certainly wonderfully handsome, with his finely curved scarlet lips, his frank blue eyes, his crisp gold hair ❞
❝ All the candour of youth was there, as well as all youth's passionate purity ❞
❝ His finely chiselled nostrils quivered, and some hidden nerve shook the scarlet of his lips and left them trembling ❞
❝ the lad, swinging round on the music-stool in a wilful, petulant manner ❞
❝ with his rose-red youth and your rose-white boyhood ❞
❝ the leaves had tossed his rebellious curls and tangled all their gilded threads ❞
❝ His eyes deepened into amethyst, and across them came a mist of tears ❞
❝ You have a wonderfully beautiful face, Mr. Gray ❞
❝ the grace of his figure broken and deformed ❞
❝ the gold steal from his hair ❞
❝ the scarlet would pass away from his lips ❞
❝ Dorian Gray lifted his golden head from the pillow, and with pallid face and tear-stained eyes ❞
❝ He was bareheaded, and the leaves had tossed his rebellious curls and tangled all their gilded threads ❞
❝ the lad's young fiery-coloured life ❞
❝ He was flushed with excitement and pleasure, and looked extraordinarily handsome ❞
❝ Dorian Gray, with his beautiful eyes, looked down at her, and his chiselled lips curled in exquisite disdain ❞
❝ the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth ❞
❝ He seemed little more than a lad of twenty summers ❞
❝ the infinite grace of that wonderful youth that seemed never to leave him ❞
❝ his charming boyish smile ❞
❝ the fair young face that laughed back at him from the polished glass ❞
❝ He had always the look of one who had kept himself unspotted from the world ❞
❝ the purity of his face ❞
❝ He was withered, wrinkled, and loathsome of visage ❞
❝ a splendid portrait of their master as they had last seen him, in all the wonder of his exquisite youth and beauty ❞
❝ Lying on the floor was a dead man, in evening dress, with a knife in his heart. He was withered, wrinkled, and loathsome of visage. ❞
❝ the young Apollo ❞
❝ the curves of your lips rewrite history ❞

Basil Hallward
Main
Synthesis
A painter with a rugged strong face and coal-black hair. He has an intellectual expression. He is described as having a marvellous bold touch in painting. He is a young man, an Oxford friend of Lord Henry. He has a habit of tossing his head back in an odd way. He is grave and deep-voiced.
❝ with your rugged strong face and your coal-black hair ❞
❝ you have an intellectual expression and all that ❞
❝ Hallward painted away with that marvellous bold touch of his ❞
❝ tossing his head back in that odd way that used to make his friends laugh at him at Oxford ❞
❝ Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement ❞
❝ the painter himself, Basil Hallward ❞
❝ Hallward started and then frowned ❞
❝ in his grave deep voice ❞

Lord Henry Wotton
Main
Synthesis
Tall, graceful young man with an olive-coloured face and worn expression. He has a pointed brown beard, and his hands are cool, white, and flowerlike. He has a low, languid, musical voice. He has heavy, opium-tainted cigarettes. He has a graceful wave of the hand. His eyes are dreamy and languorous. He has a romantic, olive-coloured face. He has a subtle smile. He has a dark, crescent-shaped eyebrows. He has brown agate eyes. He has a sweet melancholy smile.
❝ the tall, graceful young man who was standing by him ❞
❝ His romantic, olive-coloured face and worn expression interested him ❞
❝ His cool, white, flowerlike hands, even, had a curious charm ❞
❝ in his low, musical voice, and with that graceful wave of the hand ❞
❝ Lord Henry stroked his pointed brown beard ❞
❝ with his dreamy languorous eyes ❞
❝ Lord Henry, with his subtle smile ❞
❝ elevating his dark, crescent-shaped eyebrows ❞
❝ a gleam of pleasure into his brown agate eyes ❞
❝ with his sweet melancholy smile ❞
❝ his heavy, opium-tainted cigarette ❞
❝ his low languid voice that was absolutely fascinating ❞
❝ His cool, white, flowerlike hands ❞
❝ They moved, as he spoke, like music ❞
❝ Lord Henry Wotton, an old Oxford friend of mine ❞

Sibyl Vane
Secondary
Synthesis
A girl hardly seventeen years of age, with a little, flowerlike face, a small Greek head with plaited coils of dark-brown hair, eyes that are violet wells of passion, lips that are like the petals of a rose. She has a shy grace and startled eyes, something of the fawn in her. Her voice is very low at first with deep mellow notes, then like a flute or distant hautboy, then with wild passion of violins. She has a childlike look, winsome fanciful ways, and shy tremulous grace. Her body sways like a plant in water, the curves of her throat are like a white lily, her hands seem made of cool ivory.
❝ imagine a girl, hardly seventeen years of age, with a little, flowerlike face, a small Greek head with plaited coils of dark-brown hair, eyes that were violet wells of passion, lips that were like the petals of a rose ❞
❝ She was the loveliest thing I had ever seen in my life ❞
❝ There was something of the fawn in her shy grace and startled eyes ❞
❝ A faint blush, like the shadow of a rose in a mirror of silver, came to her cheeks ❞
❝ Her body swayed, while she danced, as a plant sways in the water ❞
❝ The curves of her throat were the curves of a white lily ❞
❝ Her hands seemed to be made of cool ivory ❞
❝ Her voice was exquisite ❞
❝ her childlike look, and winsome fanciful ways, and shy tremulous grace ❞
❝ She looked such a child ❞
❝ her little, flowerlike face ❞
❝ her little feet pattered overhead ❞

James Vane
Secondary
Synthesis
A young lad with rough brown hair, thick-set of figure, with large and somewhat clumsy hands and feet. He is not so finely bred as his sister. He has a sullen, heavy youth, coarse, ill-fitting clothes. He has a strong sense of the danger of Sibyl's position. He is sixteen years old. He has a rough, stern son. He has a sullen mouth. He is a short, thick-set man.
❝ a young lad with rough brown hair came into the room. He was thick-set of figure, and his hands and feet were large and somewhat clumsy in movement ❞
❝ He was not so finely bred as his sister ❞
❝ the sullen heavy youth who, in coarse, ill-fitting clothes ❞
❝ He was like a common gardener walking with a rose ❞
❝ I am sixteen ❞
❝ this rough stern son of hers ❞
❝ A faint smile curving that sullen mouth ❞
❝ the dusky form of a short, thick-set man facing him ❞

Mrs. Vane
Secondary
Synthesis
A faded, tired-looking woman with thin, bismuth-whitened hands. She has a coarse powder daubing her cheeks. She has dry lips. She wears a tawdry theatrical dress. She has a shallow secret nature. She has a tattered lace handkerchief.
❝ the faded, tired-looking woman ❞
❝ her thin, bismuth-whitened hands ❞
❝ the elder woman grew pale beneath the coarse powder that daubed her cheeks, and her dry lips twitched with a spasm of pain ❞
❝ taking up a tawdry theatrical dress, with a sigh, and beginning to patch it ❞
❝ Her shallow secret nature was troubled when their eyes met ❞
❝ A tattered lace handkerchief twitched in her fingers ❞

Alan Campbell
Secondary
Synthesis
An extremely clever young man, very stern and rather pale, with coal-black hair and dark eyebrows. He has a look of contempt in his steady searching gaze. He keeps his hands in the pockets of his Astrakhan coat. He is an excellent musician, playing violin and piano.
❝ Alan Campbell walked in, looking very stern and rather pale, his pallor being intensified by his coal-black hair and dark eyebrows ❞
❝ There was a look of contempt in the steady searching gaze that he turned on Dorian ❞
❝ He kept his hands in the pockets of his Astrakhan coat ❞
❝ He was an extremely clever young man ❞
❝ He was an excellent musician, however, as well, and played both the violin and the piano better than most amateurs ❞

Lady Agatha
Episodic
Appearance not described

Lord Fermor
Episodic
Synthesis
A genial if somewhat rough-mannered old bachelor. He has bushy white eyebrows. He wears a rough shooting-coat, smoking a cheroot.
❝ Lord Fermor, a genial if somewhat rough-mannered old bachelor ❞
❝ knitting his bushy white eyebrows ❞
❝ he found his uncle sitting in a rough shooting-coat, smoking a cheroot ❞
DO
Duchess of Monmouth (Gladys)
Episodic
Synthesis
Pretty, with wonderful eyes. She has white hands and full red lips. She is clever, too clever for a woman. She has a wonderful eyes.
❝ the pretty Duchess of Monmouth ❞
❝ Her white hands were moving daintily among the cups, and her full red lips were smiling ❞
❝ looking up at him with her wonderful eyes ❞
❝ She is very clever, too clever for a woman ❞
LN
Lady Narborough
Episodic
Synthesis
A very clever woman with what Lord Henry described as the remains of really remarkable ugliness. She is an old lady.
❝ Lady Narborough, who was a very clever woman with what Lord Henry used to describe as the remains of really remarkable ugliness ❞
❝ cried the old lady ❞
V
Victor
Episodic
Synthesis
Dorian's valet. He is impassive, with a placid mask of servility. He has thoughtful, treacherous eyes. He is half-dressed and looking very drowsy when woken.
❝ The man was quite impassive and waited for his orders ❞
❝ It was like a placid mask of servility ❞
❝ There was something sly about him, and he had thoughtful, treacherous eyes ❞
MH
Mr. Hubbard
Episodic
Synthesis
A florid, red-whiskered little man, with fat freckled hands. He has a shiny forehead.
❝ Mr. Hubbard was a florid, red-whiskered little man ❞
❝ rubbing his fat freckled hands ❞
LB
Lady Brandon
Episodic
Synthesis
Внешность в тексте не описана, but she has a curiously shrill voice.
❝ You know her curiously shrill voice? ❞
MI
Mr. Isaacs
Episodic
Synthesis
A hideous Jew with greasy ringlets, an enormous diamond blazing in the centre of a soiled shirt, and an amazing waistcoat. He has an air of gorgeous servility. He is a monster.
❝ A hideous Jew, in the most amazing waistcoat I ever beheld in my life, was standing at the entrance, smoking a vile cigar. He had greasy ringlets, and an enormous diamond blazed in the centre of a soiled shirt ❞
❝ He took off his hat with an air of gorgeous servility ❞
❝ He was such a monster ❞
AS
Adrian Singleton
Episodic
Synthesis
A young man with smooth yellow hair. He is listless and weary.
❝ a young man with smooth yellow hair, who was bending over a lamp lighting a long thin pipe ❞
❝ listlessly ❞
HM
Hetty Merton
Episodic
Synthesis
A girl in a village, beautiful and wonderfully like Sibyl Vane. She has a white face at the window, like a spray of jasmine. She wears cotton dresses and large hats. She has a laugh like a thrush singing.
❝ She was quite beautiful and wonderfully like Sibyl Vane ❞
❝ I saw her white face at the window, like a spray of jasmine ❞
❝ How pretty she had been in her cotton dresses and her large hats! ❞
❝ What a laugh she had!—just like a thrush singing ❞
SG
Sir Geoffrey Clouston
Episodic
Synthesis
The duchess's brother. He is a shooter.
LH
Lord Henry's wife (Victoria)
Episodic
Synthesis
A curious woman with vague forget-me-not eyes. Her dresses always look as if they had been designed in a rage and put on in a tempest. She is usually in love with somebody. She tries to look picturesque but only succeeds in being untidy. She has a thin lips and a nervous staccato laugh. She has straw-coloured hair. She looks like a bird of paradise that had been out all night in the rain.
❝ She was a curious woman, whose dresses always looked as if they had been designed in a rage and put on in a tempest ❞
❝ She tried to look picturesque, but only succeeded in being untidy ❞
❝ Her name was Victoria ❞
❝ The same nervous staccato laugh broke from her thin lips ❞
❝ Never marry a woman with straw-coloured hair, Dorian ❞
❝ looking like a bird of paradise that had been out all night in the rain, she flitted out of the room ❞
ME
Mr. Erskine of Treadley
Episodic
Synthesis
An old gentleman of considerable charm and culture, who had fallen into bad habits of silence.
❝ Mr. Erskine of Treadley, an old gentleman of considerable charm and culture, who had fallen, however, into bad habits of silence ❞
ST
Sir Thomas Burdon
Episodic
Synthesis
A Radical member of Parliament, with tight lips. He looks supercilious.
❝ Sir Thomas Burdon, a Radical member of Parliament ❞
❝ looking supercilious ❞
DO
Duchess of Harley
Episodic
Synthesis
A lady of admirable good-nature and good temper, of those ample architectural proportions that in women who are not duchesses are described as stoutness. She has large hands.
❝ the Duchess of Harley, a lady of admirable good-nature and good temper, much liked by every one who knew her, and of those ample architectural proportions that in women who are not duchesses are described by contemporary historians as stoutness ❞
❝ raising her large hands in wonder ❞
MV
Mrs. Vandeleur
Episodic
Synthesis
A perfect saint amongst women, but so dreadfully dowdy that she reminded one of a badly bound hymn-book.
❝ Mrs. Vandeleur, one of his aunt's oldest friends, a perfect saint amongst women, but so dreadfully dowdy that she reminded one of a badly bound hymn-book ❞
LF
Lord Faudel
Episodic
Synthesis
A most intelligent middle-aged mediocrity, as bald as a ministerial statement in the House of Commons.
❝ Lord Faudel, a most intelligent middle-aged mediocrity, as bald as a ministerial statement in the House of Commons ❞
LR
Lady Ruxton
Episodic
Synthesis
An overdressed woman of forty-seven, with a hooked nose.
❝ Lady Ruxton, an overdressed woman of forty-seven, with a hooked nose ❞
ME
Mrs. Erlynne
Episodic
Synthesis
A pushing nobody, with a delightful lisp and Venetian-red hair.
❝ Mrs. Erlynne, a pushing nobody, with a delightful lisp and Venetian-red hair ❞
LA
Lady Alice Chapman
Episodic
Synthesis
A dowdy dull girl, with one of those characteristic British faces that, once seen, are never remembered.
❝ Lady Alice Chapman, his hostess's daughter, a dowdy dull girl, with one of those characteristic British faces that, once seen, are never remembered ❞
MC
Mr. Chapman
Episodic
Synthesis
A red-cheeked, white-whiskered creature.
❝ her husband, a red-cheeked, white-whiskered creature ❞
EH
Ernest Harrowden
Episodic
Synthesis
One of those middle-aged mediocrities so common in London clubs who have no enemies, but are thoroughly disliked by their friends.
❝ Ernest Harrowden, one of those middle-aged mediocrities so common in London clubs who have no enemies, but are thoroughly disliked by their friends ❞
P
Parker
Episodic
Synthesis
The butler. He stands blinking in the sunlight.
❝ the butler, coming into the garden ❞
F
Francis
Episodic
Synthesis
Dorian's valet later in the book. He is pale as death after the murder.
❝ Francis was as pale as death ❞
ML
Mrs. Leaf
Episodic
Synthesis
The housekeeper, an old lady in a black silk dress, with old-fashioned thread mittens on her wrinkled hands. She is garrulous.
❝ in her black silk dress, with old-fashioned thread mittens on her wrinkled hands, Mrs. Leaf bustled into the library ❞
❝ She left the room, wreathed in smiles ❞
LK
Lord Kelso
Episodic
Synthesis
Dorian's grandfather, an old and loveless man. He had hated Dorian for his strange likeness to his mother.
❝ the last Lord Kelso for the use of the little grandson whom, for his strange likeness to his mother, and also for other reasons, he had always hated and desired to keep at a distance ❞
LM
Lady Margaret Devereux
Episodic
Synthesis
Dorian's mother, an extraordinarily beautiful girl. She was romantic. She had a Lady Hamilton face and moist, wine-dashed lips. She is described in a portrait with vine leaves in her hair, purple spilled from a cup, carnations withered but eyes wonderful.
❝ Margaret Devereux was one of the loveliest creatures I ever saw ❞
❝ She was romantic, though ❞
❝ And his mother with her Lady Hamilton face and her moist, wine-dashed lips—he knew what he had got from her. She laughed at him in her loose Bacchante dress. There were vine leaves in her hair. The purple spilled from the cup she was holding. The carnations of the painting had withered, but the eyes were still wonderful in their depth and brilliancy of colour. ❞
LR
Lord Radley
Episodic
Synthesis
Dorian's guardian. He is sure to be furious about the engagement.
DO
Duke of Berwick
Episodic
Appearance not described
LS
Lord Staveley
Episodic
Appearance not described
SH
Sir Henry Ashton
Episodic
Appearance not described
LK
Lord Kent
Episodic
Appearance not described
DO
Duke of Perth
Episodic
Appearance not described
LG
Lord Gloucester
Episodic
Appearance not described
LG
Lady Gwendolen
Episodic
Synthesis
Lord Henry's sister. She is perfectly charming.
❝ She is perfectly charming ❞
M
Monmouth
Episodic
Synthesis
The duchess's husband, a jaded-looking man of sixty.
❝ her husband, a jaded-looking man of sixty ❞
LG
Lord Grotrian
Episodic
Appearance not described
LP
Lord Poole
Episodic
Synthesis
Bournemouth's eldest son, quite delightful.
LB
Lady Branksome
Episodic
Synthesis
A charming woman.
MD
Madame de Ferrol
Episodic
Synthesis
Внешность в тексте не описана, but she is described as being décolletée and having had four husbands.
TH
Tom Hardy
Episodic
Appearance not described
NL
Ned Langton
Episodic
Appearance not described
T
Thornton
Episodic
Synthesis
The head-keeper at Selby Royal.
DB
Dr. Birrell
Episodic
Appearance not described
MD
Mr. Danby
Episodic
Synthesis
The District Coroner.
LB
Lady Berkshire
Episodic
Appearance not described
R
Rubinstein
Episodic
Synthesis
A pianist.
P
Patti
Episodic
Synthesis
A singer.
LG
Lord Goodbody
Episodic
Appearance not described
SA
Sir Andrew
Episodic
Synthesis
A doctor who prescribes for Lady Narborough.
H
Harvey
Episodic
Synthesis
The person to whom Dorian sends a wire about the yacht.
H
Harden
Episodic
Synthesis
The man at Richmond who supplies Selby with orchids.
A
Adolphe
Episodic
Synthesis
Lady Narborough's chef.
GW
George Willoughby
Episodic
Synthesis
A figure in a portrait: with powdered hair and fantastic patches, saturnine and swarthy face, sensual lips twisted with disdain, delicate lace ruffles over lean yellow hands overladen with rings.
❝ What of George Willoughby, with his powdered hair and fantastic patches? How evil he looked! The face was saturnine and swarthy, and the sensual lips seemed to be twisted with disdain. Delicate lace ruffles fell over the lean yellow hands that were so overladen with rings. ❞
LB
Lord Beckenham
Episodic
Synthesis
A figure in a portrait: proud and handsome, with chestnut curls and insolent pose.
❝ How proud and handsome he was, with his chestnut curls and insolent pose! ❞
LE
Lady Elizabeth Devereux
Episodic
Synthesis
A figure in a portrait: in a gauze hood, pearl stomacher, and pink slashed sleeves. A flower in her right hand, left clasping an enamelled collar of white and damask roses. Large green rosettes upon her little pointed shoes.
❝ Here, from the fading canvas, smiled Lady Elizabeth Devereux, in her gauze hood, pearl stomacher, and pink slashed sleeves. A flower was in her right hand, and her left clasped an enamelled collar of white and damask roses. On a table by her side lay a mandolin and an apple. There were large green rosettes upon her little pointed shoes. ❞
SA
Sir Anthony Sherard
Episodic
Synthesis
A figure in a portrait: in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, with silver-and-black armour piled at his feet.
❝ Here, in gold-embroidered red doublet, jewelled surcoat, and gilt-edged ruff and wristbands, stood Sir Anthony Sherard, with his silver-and-black armour piled at his feet. ❞
PH
Philip Herbert
Episodic
Synthesis
A figure in a portrait: described by Francis Osborne as one who was 'caressed by the Court for his handsome face, which kept him not long company.'
❝ Here was Philip Herbert, described by Francis Osborne, in his Memoires on the Reigns of Queen Elizabeth and King James, as one who was 'caressed by the Court for his handsome face, which kept him not long company.' ❞

Basil Hallward's Studio
Synthesis
A studio filled with the rich odour of roses, with a garden visible through an open door. The room contains a divan of Persian saddle-bags, a huge window with long tussore-silk curtains, and an upright easel holding the portrait of Dorian Gray. The light summer wind brings in the scent of lilac and pink-flowering thorn. The studio has a deal painting-table set beneath a high curtained window, and a large wicker arm-chair. The atmosphere is heavy with the scent of roses.
❝ The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. ❞
❝ From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum... ❞
❝ In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty... ❞
❝ The painter had been busy mixing his colours and getting his brushes ready. ❞
❝ Lord Henry flung himself into a large wicker arm-chair and watched him. ❞
❝ The heavy scent of the roses seemed to brood over everything. ❞

The Garden of Basil Hallward's House
Synthesis
A garden with a long bamboo seat in the shade of a tall laurel bush. The sunlight slips over polished leaves, and white daisies tremble in the grass. There is a pear-tree at the corner, and a thrush sings. The garden is filled with the scent of lilac and the sound of birds.
❝ The two young men went out into the garden together and ensconced themselves on a long bamboo seat that stood in the shade of a tall laurel bush. ❞
❝ The sunlight slipped over the polished leaves. In the grass, white daisies were tremulous. ❞
❝ The wind shook some blossoms from the trees, and the heavy lilac-blooms, with their clustering stars, moved to and fro in the languid air. ❞
❝ A grasshopper began to chirrup by the wall, and like a blue thread a long thin dragon-fly floated past on its brown gauze wings. ❞
❝ Two green-and-white butterflies fluttered past them, and in the pear-tree at the corner of the garden a thrush began to sing. ❞

Lord Henry's House in Mayfair
Synthesis
A charming room with high panelled wainscoting of olive-stained oak, cream-coloured frieze and ceiling of raised plasterwork, and a brickdust felt carpet strewn with silk, long-fringed Persian rugs. A tiny satinwood table holds a statuette by Clodion and a copy of Les Cent Nouvelles. Large blue china jars and parrot-tulips are on the mantelshelf. The window has small leaded panes through which apricot-coloured light streams. A Louis Quatorze clock ticks monotonously.
❝ It was, in its way, a very charming room, with its high panelled wainscoting of olive-stained oak, its cream-coloured frieze and ceiling of raised plasterwork, and its brickdust felt carpet strewn with silk, long-fringed Persian rugs. ❞
❝ On a tiny satinwood table stood a statuette by Clodion, and beside it lay a copy of Les Cent Nouvelles, bound for Margaret of Valois by Clovis Eve and powdered with the gilt daisies that Queen had selected for her device. ❞
❝ Some large blue china jars and parrot-tulips were ranged on the mantelshelf, and through the small leaded panes of the window streamed the apricot-coloured light of a summer day in London. ❞

The Vane Family's Sitting-Room
Synthesis
A dingy sitting-room with a single arm-chair. The room is shabby, with a stained cloth on the table, and flies buzz around. The atmosphere is one of poverty and faded theatricality.
❝ ‘Mother, Mother, I am so happy!’ whispered the girl, burying her face in the lap of the faded, tired-looking woman who, with back turned to the shrill intrusive light, was sitting in the one arm-chair that their dingy sitting-room contained. ❞
❝ The flies buzzed round the table and crawled over the stained cloth. ❞
❝ Through the rumble of omnibuses, and the clatter of street-cabs, he could hear the droning voice devouring each minute that was left to him. ❞
TH
The Royal Theatre, Holborn
Synthesis
An absurd little theatre with great flaring gas-jets and gaudy play-bills. The interior is tawdry, with a vulgar drop-scene, a horrid little private box, and a dreadful orchestra led by a young Hebrew at a cracked piano. The gallery and pit are fairly full, but the stalls are empty. Women sell oranges and ginger-beer, and there is a constant consumption of nuts.
❝ About half-past eight I passed by an absurd little theatre, with great flaring gas-jets and gaudy play-bills. ❞
❝ I found myself seated in a horrid little private box, with a vulgar drop-scene staring me in the face. ❞
❝ It was a tawdry affair, all Cupids and cornucopias, like a third-rate wedding-cake. ❞
❝ The gallery and pit were fairly full, but the two rows of dingy stalls were quite empty, and there was hardly a person in what I suppose they called the dress-circle. ❞
❝ There was a dreadful orchestra, presided over by a young Hebrew who sat at a cracked piano, that nearly drove me away... ❞
DO
Dorian Gray's House in Grosvenor Square
Synthesis
A large, oak-panelled hall of entrance with a huge gilt Venetian lantern hanging from the ceiling. The library has a bright wood fire, lamps, and a marqueterie table with a Dutch silver spirit-case. The bedroom is a large octagonal chamber on the ground floor, decorated with curious Renaissance tapestries. There is an onyx-paved bathroom. The house also contains a locked schoolroom at the top, filled with dust and cobwebs, and a long latticed room with a vermilion-and-gold ceiling and walls of olive-green lacquer used for concerts.
❝ In the huge gilt Venetian lantern, spoil of some Doge's barge, that hung from the ceiling of the great, oak-panelled hall of entrance, lights were still burning from three flickering jets... ❞
❝ He passed through the library towards the door of his bedroom, a large octagonal chamber on the ground floor that, in his new-born feeling for luxury, he had just had decorated for himself and hung with some curious Renaissance tapestries... ❞
❝ There was a bright wood fire blazing in the large open hearth. The lamps were lit, and an open Dutch silver spirit-case stood, with some siphons of soda-water and large cut-glass tumblers, on a little marqueterie table. ❞
❝ He passed into the onyx-paved bathroom. ❞
❝ The old schoolroom... Why, it is full of dust. I must get it arranged and put straight before you go into it. ❞
❝ It was a large, well-proportioned room, which had been specially built by the last Lord Kelso for the use of the little grandson... ❞
❝ In a long latticed room, with a vermilion-and-gold ceiling and walls of olive-green lacquer, he used to give curious concerts... ❞
❝ The long cedar chests that lined the west gallery of his house... ❞
TH
The Bristol Restaurant
Synthesis
A little private room where dinner is laid for three. The table is decorated with heavy clusters of purple-lipped irises.
❝ ‘I suppose you have heard the news, Basil?’ said Lord Henry that evening as Hallward was shown into a little private room at the Bristol where dinner had been laid for three. ❞
❝ ‘Yes,’ echoed Dorian, leaning back in his chair and looking at Lord Henry over the heavy clusters of purple-lipped irises that stood in the centre of the table... ❞
CO
Covent Garden Market
Synthesis
A market at dawn, with huge carts filled with nodding lilies rumbling down the polished empty street. The air is heavy with perfume. White-smocked carters, boys carrying crates of tulips and roses, and draggled bareheaded girls loiter under the portico. Pigeons run about picking up seeds.
❝ Huge carts filled with nodding lilies rumbled slowly down the polished empty street. The air was heavy with the perfume of the flowers... ❞
❝ A long line of boys carrying crates of striped tulips, and of yellow and red roses, defiled in front of him... ❞
❝ Iris-necked and pink-footed, the pigeons ran about picking up seeds. ❞
SE
Selby Royal
Synthesis
Dorian Gray's country house in Nottinghamshire. It has a conservatory, a blue drawing-room, a picture-gallery, and extensive grounds including a park and a pine-wood. The conservatory is filled with exotic plants and has a tiled floor. The house is the setting for a house-party with guests including the Duchess of Monmouth and Lord Henry.
❝ A week later Dorian Gray was sitting in the conservatory at Selby Royal, talking to the pretty Duchess of Monmouth... ❞
❝ He was carried at once into the blue drawing-room and laid upon one of the sofas. ❞
❝ He loved to stroll through the gaunt cold picture-gallery of his country house and look at the various portraits of those whose blood flowed in his veins. ❞
❝ After breakfast, he walked with the duchess for an hour in the garden and then drove across the park to join the shooting-party. ❞
❝ At the corner of the pine-wood he caught sight of Sir Geoffrey Clouston... ❞
TH
The Opium Den near the Docks
Synthesis
A small shabby house wedged between two gaunt factories, near the quay. Inside, a long low room that once was a third-rate dancing-saloon, with shrill flaring gas-jets, fly-blown mirrors, greasy tin reflectors, and ochre-coloured sawdust on the floor. Malays crouch by a charcoal stove, a sailor sprawls over a table, and haggard women mock an old man. A little staircase leads to a darkened chamber where opium is smoked.
❝ In about seven or eight minutes he reached a small shabby house that was wedged in between two gaunt factories. ❞
❝ At the end of the hall hung a tattered green curtain that swayed and shook in the gusty wind... ❞
❝ He dragged it aside and entered a long low room which looked as if it had once been a third-rate dancing-saloon. ❞
❝ Shrill flaring gas-jets, dulled and distorted in the fly-blown mirrors that faced them, were ranged round the walls. ❞
❝ The floor was covered with ochre-coloured sawdust, trampled here and there into mud, and stained with dark rings of spilled liquor. ❞
LA
Lady Narborough's Drawing-Room
Synthesis
A drawing-room with a mauve-draped mantelshelf on which stands a great ormolu gilt clock. The room is elegantly furnished, suitable for a small dinner party.
❝ Lady Narborough, looking at the great ormolu gilt clock that sprawled in gaudy curves on the mauve-draped mantelshelf... ❞
TH
The Locked Room (Schoolroom) at the Top of Dorian's House
Synthesis
A large, well-proportioned room that had been a play-room and later a study. It contains a huge Italian cassone with fantastically painted panels, a satinwood book-case with dog-eared schoolbooks, and a ragged Flemish tapestry. The room is dusty, with a damp odour of mildew, and the carpet is in holes. A faded Flemish tapestry, a curtained picture, and an almost empty book-case are its main contents. The portrait of Dorian Gray is kept here, hidden behind a purple satin coverlet.
❝ It was a large, well-proportioned room, which had been specially built by the last Lord Kelso for the use of the little grandson... ❞
❝ There was the huge Italian cassone, with its fantastically painted panels and its tarnished gilt mouldings, in which he had so often hidden himself as a boy. ❞
❝ There the satinwood book-case filled with his dog-eared schoolbooks. ❞
❝ On the wall behind it was hanging the same ragged Flemish tapestry where a faded king and queen were playing chess in a garden... ❞
❝ The room looked as if it had not been lived in for years. A faded Flemish tapestry, a curtained picture, an old Italian cassone, and an almost empty book-case—that was all that it seemed to contain... ❞
❝ He saw that the whole place was covered with dust and that the carpet was in holes. A mouse ran scuffling behind the wainscoting. There was a damp odour of mildew. ❞
TH
The Home Farm at Selby Royal
Synthesis
A farmyard with an empty stable where the body of James Vane is laid on a heap of sacking. A coarse candle stuck in a bottle sputters beside the body.
❝ On a heap of sacking in the far corner was lying the dead body of a man dressed in a coarse shirt and a pair of blue trousers. ❞
❝ A coarse candle, stuck in a bottle, sputtered beside it. ❞
Victorian England, late 19th century📍 London, England14 places on the map
Места на карте
- 1Basil Hallward's Studio
- 2The Garden of Basil Hallward's House
- 3Lord Henry's House in Mayfair
- 4The Vane Family's Sitting-Room
- 5The Royal Theatre
- 6Holborn
- 7Dorian Gray's House in Grosvenor Square
- 8The Bristol Restaurant
- 9Covent Garden Market
- 10Selby Royal
- 11The Opium Den near the Docks
- 12Lady Narborough's Drawing-Room
- 13The Locked Room (Schoolroom) at the Top of Dorian's House
- 14The Home Farm at Selby Royal

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