Pride and Prejudice
Jane Austen
Elizabeth Bennet
Main
Synthesis
A young woman with fine, dark eyes that are uncommonly intelligent and expressive. Her figure is light and pleasing, though not perfectly symmetrical. She has a bright complexion, often glowing from exercise. Her hair is sometimes untidy and blowzy. She is not very tall. Her manners are easy and playful, with a mixture of sweetness and archness.
❝ she had hardly a good feature in her face ❞
❝ rendered uncommonly intelligent by the beautiful expression of her dark eyes ❞
❝ he was forced to acknowledge her figure to be light and pleasing ❞
❝ her manners were not those of the fashionable world, he was caught by their easy playfulness ❞
❝ her appearance created a great deal of surprise ❞
❝ the brilliancy which exercise had given to her complexion ❞
❝ Her hair so untidy, so blowzy! ❞
❝ her petticoat, six inches deep in mud ❞
❝ her dirty petticoat ❞
❝ those beautiful eyes ❞
❝ their colour and shape, and the eyelashes, so remarkably fine ❞
❝ her face is too thin; her complexion has no brilliancy; and her features are not at all handsome. Her nose wants character; there is nothing marked in its lines. Her teeth are tolerable, but not out of the common way; and as for her eyes, which have sometimes been called so fine, I never could perceive anything extraordinary in them. They have a sharp, shrewish look ❞
❝ she is grown so brown and coarse! ❞
❝ rather tanned ❞
❝ a face glowing with the warmth of exercise ❞
❝ her fine eyes ❞
❝ in her air altogether, there is a self-sufficiency without fashion ❞
Fitzwilliam Darcy
Main
Synthesis
A tall, handsome man with fine features and a noble mien. He has a forbidding, disagreeable countenance when displeased, but a pleasing mouth when he speaks. His figure is fine and his appearance gentlemanlike. He has a satirical eye and a look of hauteur. His complexion can become pale with anger. He is about thirty years old.
❝ his fine, tall person, handsome features, noble mien ❞
❝ a most forbidding, disagreeable countenance ❞
❝ he has a very satirical eye ❞
❝ a deeper shade of hauteur overspread his features ❞
❝ His complexion became pale with anger ❞
❝ there is something pleasing about his mouth when he speaks ❞
❝ there is something of dignity in his countenance ❞
❝ he is not so handsome as Wickham; or rather he has not Wickham's countenance, for his features are perfectly good ❞
❝ a very handsome gentleman ❞
❝ the handsomest young lady that ever was seen ❞
❝ a very satirical eye ❞
❝ a look of haughty composure ❞
❝ a smile of affected incredulity ❞
❝ his eyes were fixed on her face ❞
❝ his countenance expressed real security ❞
❝ he was a fine figure of a man ❞
Jane Bennet
Secondary
Synthesis
The most beautiful woman in the room, with a lovely face and a sweet, complacent expression. She has a serene countenance and a cheerful, engaging manner. She is about twenty-two or twenty-three years old.
❝ the only handsome girl in the room ❞
❝ the most beautiful creature I ever beheld! ❞
❝ her look and manners were open, cheerful, and engaging as ever ❞
❝ the serenity of your sister's countenance and air ❞
❝ a glow of such happy expression ❞
MB
Mr. Bennet
Secondary
Synthesis
A man of quick parts, sarcastic humour, reserve, and caprice. He is fond of books and the country. His appearance is not described in detail.
Mrs. Bennet
Secondary
Synthesis
A woman of mean understanding, little information, and uncertain temper. She fancies herself nervous. She was once handsome but no longer pretends to be extraordinary.
❝ I certainly have had my share of beauty, but I do not pretend to be anything extraordinary now ❞
Charles Bingley
Secondary
Synthesis
Good-looking and gentlemanlike, with a pleasant countenance and easy, unaffected manners. He is lively and unreserved. He wears a blue coat and rides a black horse.
❝ Mr. Bingley was good-looking and gentlemanlike: he had a pleasant countenance, and easy, unaffected manners ❞
❝ he wore a blue coat and rode a black horse ❞
❝ he is so excessively handsome! ❞
CB
Caroline Bingley
Secondary
Synthesis
A fine woman with an air of decided fashion. She is rather handsome, with an elegant figure and walks well. She is proud and conceited.
❝ His sisters were fine women, with an air of decided fashion ❞
❝ Her figure was elegant, and she walked well ❞
ML
Mrs. Louisa Hurst
Secondary
Synthesis
A fine woman with an air of decided fashion. She is rather handsome. She is married to a man of more fashion than fortune.
❝ His sisters were fine women, with an air of decided fashion ❞
MH
Mr. Hurst
Episodic
Synthesis
Merely looked the gentleman. He is an indolent man who lives only to eat, drink, and play at cards.
❝ His brother-in-law, Mr. Hurst, merely looked the gentleman ❞
GW
George Wickham
Secondary
Synthesis
A young man of most gentlemanlike appearance, with all the best parts of beauty: a fine countenance, a good figure, and very pleasing address. He has a happy readiness of conversation, perfectly correct and unassuming. His manners are engaging and his countenance vouches for his being amiable.
❝ a young man, whom they had never seen before, of most gentlemanlike appearance ❞
❝ His appearance was greatly in his favour: he had all the best parts of beauty, a fine countenance, a good figure, and very pleasing address ❞
❝ a happy readiness of conversation—a readiness at the same time perfectly correct and unassuming ❞
❝ whose very countenance may vouch for your being amiable ❞
❝ there is such an expression of goodness in his countenance! such an openness and gentleness in his manner ❞
WC
William Collins
Secondary
Synthesis
A tall, heavy-looking young man of five-and-twenty. His air is grave and stately, and his manners very formal. He has a mixture of pride and obsequiousness, self-importance and humility.
❝ He was a tall, heavy-looking young man of five-and-twenty. His air was grave and stately, and his manners were very formal ❞
CL
Charlotte Lucas
Secondary
Synthesis
A sensible, intelligent young woman of about twenty-seven. She is not handsome, being very plain. She has a steady countenance.
❝ a sensible, intelligent young woman, about twenty-seven ❞
❝ you must own she is very plain ❞
SW
Sir William Lucas
Episodic
Synthesis
A former tradesman who was knighted. He is inoffensive, friendly, and obliging, with a courtly manner. He is fond of superior society.
LL
Lady Lucas
Episodic
Synthesis
A very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.
LB
Lydia Bennet
Secondary
Synthesis
A stout, well-grown girl of fifteen, with a fine complexion and good-humoured countenance. She has high animal spirits and a sort of natural self-consequence. She is tall for her age.
❝ Lydia was a stout, well-grown girl of fifteen, with a fine complexion and good-humoured countenance ❞
❝ though I am the youngest, I'm the tallest ❞
CB
Catherine Bennet
Secondary
Synthesis
Weak-spirited, irritable, and completely under Lydia's guidance. She is not described in detail physically.
MB
Mary Bennet
Secondary
Synthesis
The only plain one in the family. She has worked hard for knowledge and accomplishments, but has neither genius nor taste. She has a pedantic air and conceited manner.
❝ Mary, who having, in consequence of being the only plain one in the family, worked hard for knowledge and accomplishments, was always impatient for display ❞
LC
Lady Catherine de Bourgh
Secondary
Synthesis
A tall, large woman with strongly-marked features, which might once have been handsome. Her air is not conciliating, and she speaks in an authoritative tone. She is arrogant and conceited.
❝ Lady Catherine was a tall, large woman, with strongly-marked features, which might once have been handsome. Her air was not conciliating, nor was her manner of receiving them such as to make her visitors forget their inferior rank ❞
MA
Miss Anne de Bourgh
Episodic
Synthesis
Quite a little creature, very thin and small. She is pale and sickly, with insignificant features. She speaks very little, in a low voice.
❝ She is quite a little creature. Who would have thought she could be so thin and small! ❞
❝ Miss de Bourgh was pale and sickly: her features, though not plain, were insignificant ❞
❝ she spoke very little, except in a low voice ❞
CF
Colonel Fitzwilliam
Secondary
Synthesis
About thirty, not handsome, but in person and address most truly the gentleman. He has the readiness and ease of a well-bred man.
❝ Colonel Fitzwilliam, who led the way, was about thirty, not handsome, but in person and address most truly the gentleman ❞
GD
Georgiana Darcy
Secondary
Synthesis
Tall, and on a larger scale than Elizabeth. Though little more than sixteen, her figure is formed and her appearance womanly and graceful. She is less handsome than her brother, but there is sense and good-humour in her face. Her manners are perfectly unassuming and gentle. She is exceedingly shy.
❝ Miss Darcy was tall, and on a larger scale than Elizabeth; and, though little more than sixteen, her figure was formed, and her appearance womanly and graceful. She was less handsome than her brother, but there was sense and good-humour in her face, and her manners were perfectly unassuming and gentle ❞
❝ she was only exceedingly shy ❞
MG
Mr. Gardiner
Secondary
Synthesis
A sensible, gentlemanlike man, greatly superior to his sister Mrs. Bennet, as well by nature as education. He is well-bred and agreeable, with easy and pleasant manners.
❝ Mr. Gardiner was a sensible, gentlemanlike man, greatly superior to his sister, as well by nature as education ❞
MG
Mrs. Gardiner
Secondary
Synthesis
An amiable, intelligent, elegant woman, several years younger than Mrs. Bennet and Mrs. Philips. She is a great favourite with her Longbourn nieces.
MP
Mrs. Philips
Episodic
Synthesis
A vulgar woman, sister to Mrs. Bennet. She is always glad to see her nieces and is very attentive.
MP
Mr. Philips
Episodic
Synthesis
A broad-faced, stuffy man, breathing port wine. He is an attorney in Meryton.
❝ the broad-faced stuffy uncle Philips, breathing port wine ❞
MR
Mrs. Reynolds
Episodic
Synthesis
A respectable looking elderly woman, much less fine and more civil than expected. She is the housekeeper at Pemberley.
❝ The housekeeper came; a respectable looking elderly woman, much less fine, and more civil, than she had any notion of finding her ❞
MJ
Mrs. Jenkinson
Episodic
Synthesis
An old lady who lives with Lady Catherine and Miss de Bourgh. Her appearance is nothing remarkable.
❝ in whose appearance there was nothing remarkable ❞
MA
Mrs. Annesley
Episodic
Synthesis
A genteel, agreeable-looking woman. She is the lady who lives with Miss Darcy in London.
❝ Mrs. Annesley, a genteel, agreeable-looking woman ❞
MD
Mr. Denny
Episodic
Synthesis
An officer in the militia, friend of Wickham. Appearance not described.
CF
Colonel Forster
Episodic
Synthesis
A sensible man, colonel of the militia regiment. Appearance not described.
MF
Mrs. Forster
Episodic
Synthesis
A very young woman, very lately married. She is good-humoured and good-spirited. Appearance not described.
MK
Miss King
Episodic
Synthesis
A young lady with ten thousand pounds. She is described as a nasty little freckled thing by Lydia. Appearance not otherwise described.
❝ Who could about such a nasty little freckled thing? ❞
ML
Mrs. Long
Episodic
Synthesis
A neighbour who brings news. Appearance not described.
MJ
Mr. Jones
Episodic
Synthesis
The apothecary. Appearance not described.
ML
Maria Lucas
Episodic
Synthesis
A good-humoured girl, but as empty-headed as her father. Appearance not described.
MH
Mrs. Hill
Episodic
Synthesis
The housekeeper at Longbourn. Appearance not described.
Longbourn
Synthesis
The Bennet family home, a village in Hertfordshire. It is a comfortable house with a library, breakfast-room, dining-room, drawing-room, and dressing-rooms. The grounds include a shrubbery, a lawn, a paddock, and a small wood. The house is about a mile from Meryton.
❝ They returned, therefore, in good spirits to Longbourn, the village where they lived, and of which they were the principal inhabitants. ❞
❝ The village of Longbourn was only one mile from Meryton; ❞
❝ Elizabeth, feeling really anxious, determined to go to her, though the carriage was not to be had: and as she was no horsewoman, walking was her only alternative. ❞
❝ They found Mary, as usual, deep in the study of thorough bass and human nature; and had some new extracts to admire and some new observations of threadbare morality to listen to. ❞
❝ Mr. Bennet's property consisted almost entirely in an estate of two thousand a year, ❞
❝ The hall, the dining-room, and all its furniture, were examined and praised; ❞
❝ In his library he had been always sure of leisure and tranquillity; ❞
❝ They were all of them warm in their admiration; and at that moment she felt that to be mistress of Pemberley might be something! ❞
❝ Elizabeth was sitting with her mother and sisters, reflecting on what she had heard, and doubting whether she was authorized to mention it, when Sir William Lucas himself appeared, ❞
❝ The Bennets were engaged to dine with the Lucases; ❞
Netherfield Park
Synthesis
A large estate near Longbourn, rented by Mr. Bingley. It includes a house with a breakfast-parlour, drawing-room, dining-parlour, library, and a shrubbery. The grounds have a gravel walk and a pleasant prospect. The house is about three miles from Longbourn.
❝ Netherfield Park is let at last ❞
❝ He did look at it, and into it, for half an hour; was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. ❞
❝ She was shown into the breakfast parlour, where all but Jane were assembled, ❞
❝ You have a sweet room here, Mr. Bingley, and a charming prospect over that gravel walk. ❞
❝ On entering the drawing-room, she found the whole party at loo, ❞
❝ The path just admitted three. ❞
❝ The first half hour was spent in piling up the fire, lest she should suffer from the change of room; ❞
❝ Mr. Hurst had, therefore, nothing to do but to stretch himself on one of the sofas and go to sleep. ❞
❝ The loo table, however, did not appear. ❞
❝ Elizabeth took up some needlework, and was sufficiently amused in attending to what passed between Darcy and his companion. ❞
❝ The ladies removed after dinner ❞
❝ When tea was over Mr. Hurst reminded his sister-in-law of the card-table—but in vain. ❞
Meryton
Synthesis
A small market town in Hertfordshire, about a mile from Longbourn. It has a milliner's shop, a library, and an assembly-room. The militia regiment is quartered there.
❝ The village of Longbourn was only one mile from Meryton; a most convenient distance for the young ladies, who were usually tempted thither three or four times a week, to pay their duty to their aunt, and to a milliner's shop just over the way. ❞
❝ Meryton was the head-quarters. ❞
❝ In Meryton they parted: the two youngest repaired to the lodgings of one of the officers' wives, ❞
❝ Their eyes were immediately wandering up the street in quest of the officers, and nothing less than a very smart bonnet, indeed, or a really new muslin in a shop window, could recall them. ❞
❝ The officers of the ——shire were in general a very creditable, gentlemanlike set ❞
❝ The prospect of the Netherfield ball was extremely agreeable to every female of the family. ❞
❝ All Meryton seemed striving to blacken the man who, but three months before, had been almost an angel of light. ❞
❝ The spiteful old ladies in Meryton ❞
Lucas Lodge
Synthesis
The home of Sir William Lucas, about a mile from Meryton. It is a comfortable house where the family entertains guests.
❝ he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge; ❞
❝ It was at Sir William Lucas's, where a large party were assembled. ❞
❝ The Bennets were engaged to dine with the Lucases; ❞
HU
Hunsford Parsonage
Synthesis
The home of Mr. Collins and Charlotte Lucas, near Westerham, Kent. It is a small but well-built and convenient house with a garden, a parlour, a dining-room, and a book room. The garden is large and well laid out, with a view of Rosings Park.
❝ The garden sloping to the road, the house standing in it, the green pales and the laurel hedge, everything declared they were arriving. ❞
❝ the carriage stopped at the small gate, which led by a short gravel walk to the house, ❞
❝ as soon as they were in the parlour, he welcomed them a second time, with ostentatious formality, to his humble abode, ❞
❝ After sitting long enough to admire every article of furniture in the room, from the sideboard to the fender, ❞
❝ Mr. Collins invited them to take a stroll in the garden, which was large and well laid out, ❞
❝ It was rather small, but well built and convenient; and everything was fitted up and arranged with a neatness and consistency, ❞
❝ The room in which the ladies sat was backwards. ❞
❝ the chief of the time between breakfast and dinner was now passed by him either at work in the garden, or in reading and writing, and looking out of window in his own book room, which fronted the road. ❞
❝ From the drawing-room they could distinguish nothing in the lane, ❞
❝ Her favourite walk, and where she frequently went while the others were calling on Lady Catherine, was along the open grove which edged that side of the park, where there was a nice sheltered path, ❞
RO
Rosings Park
Synthesis
The grand estate of Lady Catherine de Bourgh, near Hunsford. It is a handsome modern building, well situated on rising ground, with a park, a large house with many rooms including a hall, antechamber, drawing-room, and dining-room. The grounds are extensive and well-kept.
❝ It was a handsome modern building, well situated on rising ground. ❞
❝ The paling of Rosings park was their boundary on one side. ❞
❝ Every park has its beauty and its prospects; ❞
❝ From the entrance hall, of which Mr. Collins pointed out, with a rapturous air, the fine proportion and finished ornaments, they followed the servants through an antechamber to the room where Lady Catherine, her daughter, and Mrs. Jenkinson were sitting. ❞
❝ The dinner was exceedingly handsome, and there were all the servants, and all the articles of plate which Mr. Collins had promised; ❞
❝ When the ladies returned to the drawing-room, there was little to be done but to hear Lady Catherine talk, ❞
❝ the card tables were placed. ❞
❝ Lady Catherine, Sir William, and Mr. and Mrs. Collins sat down to quadrille; ❞
❝ The party then gathered round the fire to hear Lady Catherine determine what weather they were to have on the morrow. ❞
❝ the carriage was offered to Mrs. Collins, gratefully accepted, and immediately ordered. ❞
❝ Her Ladyship's carriage is regularly ordered for us. I should say, one of her Ladyship's carriages, for she has several. ❞
❝ the windows are full west. ❞
PE
Pemberley
Synthesis
The grand estate of Mr. Darcy in Derbyshire. It is a large, handsome stone building, standing on rising ground, backed by a ridge of high woody hills. In front is a stream of natural importance. The park is very large, with a beautiful wood, a valley, and a river. The house has a hall, dining-parlour, drawing-room, picture gallery, and many bedrooms. The furniture is elegant but not gaudy.
❝ It was a large, handsome stone building, standing well on rising ground, and backed by a ridge of high woody hills; and in front a stream of some natural importance was swelled into greater, but without any artificial appearance. ❞
❝ The park was very large, and contained great variety of ground. ❞
❝ They entered it in one of its lowest points, and drove for some time through a beautiful wood stretching over a wide extent. ❞
❝ They gradually ascended for half a mile, and then found themselves at the top of a considerable eminence, where the wood ceased, and the eye was instantly caught by Pemberley House, situated on the opposite side of the valley, ❞
❝ They descended the hill, crossed the bridge, and drove to the door; ❞
❝ On applying to see the place, they were admitted into the hall; ❞
❝ They followed her into the dining-parlour. It was a large, well-proportioned room, handsomely fitted up. ❞
❝ The rooms were lofty and handsome, and their furniture suitable to the fortune of their proprietor; but Elizabeth saw, with admiration of his taste, that it was neither gaudy nor uselessly fine,—with less of splendour, and more real elegance, than the furniture of Rosings. ❞
❝ On reaching the spacious lobby above, they were shown into a very pretty sitting-room, lately fitted up with greater elegance and lightness than the apartments below; ❞
❝ The picture gallery, and two or three of the principal bed-rooms, were all that remained to be shown. ❞
❝ In the gallery there were many family portraits, ❞
❝ They had now entered a beautiful walk by the side of the water, and every step was bringing forward a nobler fall of ground, or a finer reach of the woods to which they were approaching; ❞
❝ They entered the woods, and, bidding adieu to the river for a while, ascended some of the higher grounds; whence, in spots where the opening of the trees gave the eye power to wander, were many charming views of the valley, the opposite hills, with the long range of woods overspreading many, and occasionally part of the stream. ❞
❝ They crossed it by a simple bridge, in character with the general air of the scene: it was a spot less adorned than any they had yet visited; and the valley, here contracted into a glen, allowed room only for the stream, and a narrow walk amidst the rough coppice-wood which bordered it. ❞
❝ Its windows, opening to the ground, admitted a most refreshing view of the high woody hills behind the house, and of the beautiful oaks and Spanish chestnuts which were scattered over the intermediate lawn. ❞
LA
Lambton
Synthesis
A little town in Derbyshire, where Mrs. Gardiner formerly lived. It is within five miles of Pemberley. The inn where the Gardiners and Elizabeth stay is located there.
❝ To the little town of Lambton, the scene of Mrs. Gardiner's former residence, and where she had lately learned that some acquaintance still remained, they bent their steps, ❞
❝ within five miles of Lambton, Elizabeth found, from her aunt, that Pemberley was situated. ❞
❝ They had been walking about the place with some of their new friends, and were just returned to the inn to dress themselves for dining with the same family, when the sound of a carriage drew them to a window, ❞
GR
Gracechurch Street
Synthesis
The London home of Mr. and Mrs. Gardiner, in a commercial area near Cheapside. It is a respectable house where the Gardiners live with their children.
❝ As they drove to Mr. Gardiner's door, Jane was at a drawing-room window watching their arrival: ❞
❝ On the stairs were a troop of little boys and girls, ❞
❝ Mrs. Gardiner gave her the particulars also of Miss Bingley's visit in Gracechurch Street, ❞
GR
Grosvenor Street
Synthesis
The London residence of Mr. Hurst, where the Bingley party stays when in town.
❝ they were on their way to town; and without any intention of coming back again. ... they were to dine that day in Grosvenor Street, where Mr. Hurst had a house. ❞
TH
The Assembly Rooms (Meryton)
Synthesis
The public ballroom in Meryton where the first assembly is held.
❝ And when the party entered the assembly-room, it consisted of only five altogether: Mr. Bingley, his two sisters, the husband of the eldest, and another young man. ❞
❝ The manner in which they spoke of the Meryton assembly was sufficiently characteristic. ❞
MR
Mr. Philips's House (Meryton)
Synthesis
The home of Mr. and Mrs. Philips in Meryton, where the family often visits. It has a parlour and a drawing-room.
❝ Mr. Denny and Mr. Wickham walked with the young ladies to the door of Mr. Philips's house, ❞
❝ the girls had the pleasure of hearing, as they entered the drawing-room, that Mr. Wickham had accepted their uncle's invitation, and was then in the house. ❞
❝ When the card tables were placed, he had an opportunity of obliging her, in return, by sitting down to whist. ❞
TH
The Inn at —— (on the road from London)
Synthesis
An inn where the Bennet sisters meet on their return from London. It has a dining-room upstairs.
❝ as they drew near the appointed inn where Mr. Bennet's carriage was to meet them, they quickly perceived, in token of the coachman's punctuality, both Kitty and Lydia looking out of a dining-room upstairs. ❞
TH
The Parsonage at Hunsford (interior details)
Synthesis
The interior of the parsonage, including the parlour, dining-room, and book room. It is small but well-furnished.
❝ After sitting long enough to admire every article of furniture in the room, from the sideboard to the fender, ❞
❝ It was rather small, but well built and convenient; and everything was fitted up and arranged with a neatness and consistency, ❞
❝ The room in which the ladies sat was backwards. ❞
❝ the chief of the time between breakfast and dinner was now passed by him either at work in the garden, or in reading and writing, and looking out of window in his own book room, which fronted the road. ❞
TH
The Copse at Longbourn
Synthesis
A small wood on one side of the paddock at Longbourn, where Mr. Bennet often walks.
❝ he was walking towards the little copse. ❞
TH
The Shrubbery at Longbourn
Synthesis
A planted area behind Longbourn house, used for walking.
❝ as Jane and Elizabeth were walking together in the shrubbery behind the house, ❞
OA
Oakham Mount
Synthesis
A hill near Longbourn, offering a view. A destination for walks.
❝ I advise Mr. Darcy, and Lizzy, and Kitty, to walk to Oakham Mount this morning. It is a nice long walk, and Mr. Darcy has never seen the view. ❞
TH
The Lane at Hunsford
Synthesis
A lane near the parsonage, leading to the park gates.
❝ After walking two or three times along that part of the lane, she was tempted, by the pleasantness of the morning, to stop at the gates and look into the park. ❞
TH
The Grove at Rosings
Synthesis
A wooded area within Rosings Park, where Elizabeth often walks.
❝ Her favourite walk, and where she frequently went while the others were calling on Lady Catherine, was along the open grove which edged that side of the park, where there was a nice sheltered path, ❞
TH
The Saloon at Pemberley
Synthesis
A large room at Pemberley with windows opening to the ground, offering a view of the lawn and woods.
❝ Its windows, opening to the ground, admitted a most refreshing view of the high woody hills behind the house, and of the beautiful oaks and Spanish chestnuts which were scattered over the intermediate lawn. ❞
TH
The Dining-Room at Longbourn
Synthesis
The main dining room at Longbourn, where the family and guests dine.
❝ Their party in the dining-room was large, for almost all the Lucases came to meet Maria and hear the news; ❞
TH
The Breakfast-Room at Longbourn
Synthesis
A room at Longbourn where the family often gathers for breakfast and informal activities.
❝ The family were assembled in the breakfast-room to receive them. ❞
TH
The Library at Longbourn
Synthesis
Mr. Bennet's private room, where he spends much of his time reading.
❝ In his library he had been always sure of leisure and tranquillity; ❞
TH
The Drawing-Room at Rosings
Synthesis
The main sitting room at Rosings, where guests are entertained after dinner.
❝ When the ladies returned to the drawing-room, there was little to be done but to hear Lady Catherine talk, ❞
TH
The Dining-Parlour at Pemberley
Synthesis
A large, well-proportioned room at Pemberley, handsomely fitted up.
❝ They followed her into the dining-parlour. It was a large, well-proportioned room, handsomely fitted up. ❞
TH
The Picture Gallery at Pemberley
Synthesis
A long gallery at Pemberley containing many family portraits.
❝ In the gallery there were many family portraits, ❞
TH
The Sitting-Room at Pemberley (Miss Darcy's)
Synthesis
A pretty sitting-room on the upper floor, recently fitted up with elegance and lightness for Miss Darcy.
❝ On reaching the spacious lobby above, they were shown into a very pretty sitting-room, lately fitted up with greater elegance and lightness than the apartments below; and were informed that it was but just done to give pleasure to Miss Darcy, ❞
TH
The Bridge at Pemberley
Synthesis
A simple bridge over the stream in Pemberley park, in character with the natural scene.
❝ They crossed it by a simple bridge, in character with the general air of the scene: it was a spot less adorned than any they had yet visited; and the valley, here contracted into a glen, allowed room only for the stream, and a narrow walk amidst the rough coppice-wood which bordered it. ❞
TH
The Lawn at Pemberley
Synthesis
The grassy area in front of Pemberley House, leading down to the river.
❝ As they walked across the lawn towards the river, Elizabeth turned back to look again; ❞
TH
The River at Pemberley
Synthesis
A stream of natural importance that flows through the Pemberley estate, swelled into greater but without artificial appearance. It has banks that are neither formal nor falsely adorned.
❝ in front a stream of some natural importance was swelled into greater, but without any artificial appearance. Its banks were neither formal nor falsely adorned. ❞
TH
The Woods at Pemberley
Synthesis
Extensive woods covering the hills around Pemberley, part of the park.
❝ They entered the woods, and, bidding adieu to the river for a while, ascended some of the higher grounds; whence, in spots where the opening of the trees gave the eye power to wander, were many charming views of the valley, the opposite hills, with the long range of woods overspreading many, and occasionally part of the stream. ❞
TH
The Valley at Pemberley
Synthesis
The valley through which the river winds, with wooded hills on either side.
❝ she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. ❞
TH
The Inn at Lambton
Synthesis
The inn where Elizabeth and the Gardiners stay during their visit to Lambton.
❝ They had been walking about the place with some of their new friends, and were just returned to the inn to dress themselves for dining with the same family, when the sound of a carriage drew them to a window, ❞
TH
The Church at Hunsford
Synthesis
The parish church where Mr. Collins officiates, and where Elizabeth sees Lady Catherine and Miss de Bourgh.
❝ Yes, Miss Elizabeth, you will have the honour of seeing Lady Catherine de Bourgh on the ensuing Sunday at church, ❞
TH
The Garden at Hunsford Parsonage
Synthesis
The garden of the parsonage, large and well laid out, with a view of Rosings through an opening in the trees.
❝ Mr. Collins invited them to take a stroll in the garden, which was large and well laid out, and to the cultivation of which he attended himself. ❞
TH
The Lane at Hunsford (near the Parsonage)
Synthesis
The lane that runs past the parsonage, leading to Rosings.
❝ The garden in which stands my humble abode is separated only by a lane from Rosings Park, her Ladyship's residence. ❞
TH
The Paddock at Longbourn
Synthesis
A fenced field near Longbourn house.
❝ The little Gardiners, attracted by the sight of a chaise, were standing on the steps of the house, as they entered the paddock; ❞
TH
The Vestibule at Longbourn
Synthesis
The entrance hall of Longbourn.
❝ Elizabeth jumped out; and after giving each of them a hasty kiss, hurried into the vestibule, where Jane, who came running downstairs from her mother's apartment, immediately met her. ❞
TH
The Dressing-Room at Longbourn (Mrs. Bennet's)
Synthesis
Mrs. Bennet's private dressing-room upstairs, where she often retreats.
❝ She does not yet leave her dressing-room. ❞
TH
The Breakfast-Room at Hunsford Parsonage
Synthesis
The room where breakfast is served at the parsonage.
❝ On Saturday morning Elizabeth and Mr. Collins met for breakfast a few minutes before the others appeared; ❞
TH
The Dining-Room at Hunsford Parsonage
Synthesis
The dining room at the parsonage, used for meals.
❝ It was spoken of again while they were at dinner, when Mr. Collins joining in, observed, ❞
TH
The Book Room at Hunsford Parsonage
Synthesis
Mr. Collins's study, fronting the road, where he reads and writes.
❝ the chief of the time between breakfast and dinner was now passed by him either at work in the garden, or in reading and writing, and looking out of window in his own book room, which fronted the road. ❞
TH
The Antechamber at Rosings
Synthesis
A room leading to the main drawing-room at Rosings.
❝ they followed the servants through an antechamber to the room where Lady Catherine, her daughter, and Mrs. Jenkinson were sitting. ❞
TH
The Hall at Rosings
Synthesis
The entrance hall of Rosings, with fine proportions and finished ornaments.
❝ From the entrance hall, of which Mr. Collins pointed out, with a rapturous air, the fine proportion and finished ornaments, ❞
TH
The Lawn at Rosings
Synthesis
The grassy area in front of Rosings.
❝ there seemed to be a prettyish kind of a little wilderness on one side of your lawn. ❞
TH
The Copse at Rosings
Synthesis
A small wooded area on the lawn at Rosings, where Lady Catherine walks with Elizabeth.
❝ As soon as they entered the copse, Lady Catherine began in the following manner: ❞
TH
The Gravel Walk at Longbourn
Synthesis
A path leading from the house to the copse.
❝ They proceeded in silence along the gravel walk that led to the copse; ❞
TH
The Hermitage at Longbourn
Synthesis
A small secluded structure in the grounds of Longbourn.
❝ I think she will be pleased with the hermitage. ❞
TH
The Dining-Parlour at Longbourn
Synthesis
Another name for the dining-room at Longbourn.
❝ Lady Catherine opened the doors into the dining-parlour and drawing-room, and pronouncing them, after a short survey, to be decent-looking rooms, walked on. ❞
TH
The Drawing-Room at Longbourn
Synthesis
The main sitting room at Longbourn.
❝ Lady Catherine opened the doors into the dining-parlour and drawing-room, and pronouncing them, after a short survey, to be decent-looking rooms, walked on. ❞
TH
The Stables at Pemberley
Synthesis
The stables behind Pemberley House.
❝ the owner of it himself suddenly came forward from the road which led behind it to the stables. ❞
TH
The Road to Pemberley
Synthesis
The approach road winding through the park to the house.
❝ They gradually ascended for half a mile, and then found themselves at the top of a considerable eminence, where the wood ceased, and the eye was instantly caught by Pemberley House, situated on the opposite side of the valley, into which the road with some abruptness wound. ❞
TH
The Lodge at Pemberley
Synthesis
The entrance lodge to Pemberley Park.
❝ when at length they turned in at the lodge, her spirits were in a high flutter. ❞
TH
The Bridge at Pemberley (lower)
Synthesis
The bridge near the house, crossed when driving to the door.
❝ They descended the hill, crossed the bridge, and drove to the door; ❞
TH
The Water at Pemberley
Synthesis
The stream or river in the park, with a walk along its side.
❝ They had now entered a beautiful walk by the side of the water, and every step was bringing forward a nobler fall of ground, or a finer reach of the woods to which they were approaching; ❞
TH
The Glen at Pemberley
Synthesis
A narrow part of the valley where the stream is confined.
❝ the valley, here contracted into a glen, allowed room only for the stream, and a narrow walk amidst the rough coppice-wood which bordered it. ❞
TH
The Coppice-Wood at Pemberley
Synthesis
Rough woodland bordering the narrow walk in the glen.
❝ a narrow walk amidst the rough coppice-wood which bordered it. ❞
TH
The Hill at Pemberley (crowned with wood)
Synthesis
The hill from which the party descended, seen from the dining-parlour window.
❝ The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. ❞
TH
The Lawn at Pemberley (front)
Synthesis
The lawn in front of Pemberley House, where Elizabeth and Darcy stand after the walk.
❝ He then asked her to walk into the house—but she declared herself not tired, and they stood together on the lawn. ❞
TH
The Shrubbery at Netherfield
Synthesis
A planted area at Netherfield where the characters walk.
❝ as they were walking together in the shrubbery the next day, ❞
TH
The Avenue at Netherfield
Synthesis
A broad path or road at Netherfield.
❝ We had better go into the avenue. ❞
TH
The Library at Netherfield
Synthesis
Mr. Bingley's library at Netherfield, containing a collection of books.
❝ He immediately offered to fetch her others; all that his library afforded. ❞
TH
The Breakfast Parlour at Netherfield
Synthesis
The room where breakfast is served at Netherfield.
❝ She was shown into the breakfast parlour, where all but Jane were assembled, ❞
TH
The Drawing-Room at Netherfield
Synthesis
The main sitting room at Netherfield.
❝ On entering the drawing-room, she found the whole party at loo, ❞
TH
The Dining-Parlour at Netherfield
Synthesis
The dining room at Netherfield.
❝ With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, ❞
TH
The Room at Netherfield (Jane's sickroom)
Synthesis
The bedroom where Jane recovers from her illness at Netherfield.
❝ Elizabeth did not quit her room for a moment, nor were the other ladies often absent; ❞
TH
The Card Table at Netherfield
Synthesis
The table where the loo game is played.
❝ she drew near the card-table, and stationed herself between Mr. Bingley and his eldest sister, to observe the game. ❞
TH
The Pianoforte at Netherfield
Synthesis
The instrument at Netherfield on which Miss Bingley plays.
❝ Miss Bingley moved with alacrity to the pianoforte, ❞
TH
The Fireplace at Netherfield
Synthesis
The hearth in the drawing-room at Netherfield.
❝ The first half hour was spent in piling up the fire, lest she should suffer from the change of room; and she removed, at his desire, to the other side of the fireplace, that she might be farther from the door. ❞
TH
The Sofa at Netherfield
Synthesis
A sofa in the drawing-room at Netherfield, where Mr. Hurst sleeps.
❝ Mr. Hurst had, therefore, nothing to do but to stretch himself on one of the sofas and go to sleep. ❞
TH
The Window at Netherfield (upper)
Synthesis
An upper window at Netherfield from which the Bennet ladies see Mr. Bingley.
❝ The ladies were somewhat more fortunate, for they had the advantage of ascertaining, from an upper window, that he wore a blue coat and rode a black horse. ❞
TH
The Street in Meryton
Synthesis
The main street of Meryton, where officers are often seen.
❝ Their eyes were immediately wandering up the street in quest of the officers, ❞
TH
The Shop Window in Meryton
Synthesis
A shop window in Meryton displaying bonnets or muslins.
❝ nothing less than a very smart bonnet, indeed, or a really new muslin in a shop window, could recall them. ❞
TH
The Opposite Shop in Meryton
Synthesis
A shop across the street from Mr. Philips's house.
❝ Kitty and Lydia, determined if possible to find out, led the way across the street, under pretence of wanting something in an opposite shop, ❞
TH
The Parlour Window at Mr. Philips's
Synthesis
The window of the parlour at Mr. Philips's house, which Mrs. Philips throws up.
❝ in spite of Mrs. Philips's throwing up the parlour window, and loudly seconding the invitation. ❞
TH
The Drawing-Room at Mr. Philips's
Synthesis
The main sitting room in Mr. Philips's house.
❝ the girls had the pleasure of hearing, as they entered the drawing-room, that Mr. Wickham had accepted their uncle's invitation, and was then in the house. ❞
TH
The Card Tables at Mr. Philips's
Synthesis
Tables set up for card games at Mr. Philips's party.
❝ When the card tables were placed, he had an opportunity of obliging her, in return, by sitting down to whist. ❞
TH
The Supper Table at Mr. Philips's
Synthesis
The table where supper is served at Mr. Philips's party.
❝ There could be no conversation in the noise of Mrs. Philips's supper party, ❞
TH
The Mantel-piece at Mr. Philips's
Synthesis
The mantelpiece in the drawing-room at Mr. Philips's, adorned with china.
❝ examine their own indifferent imitations of china on the mantel-piece, ❞
TH
The Library at Lucas Lodge
Synthesis
The library at Lucas Lodge, mentioned as a place where officers stand.
❝ she sees them now very often standing in Clarke's library. ❞
TH
The Garden at Lucas Lodge
Synthesis
The garden at Lucas Lodge.
❝ The Bennets were engaged to dine with the Lucases; ❞
TH
The Lane at Lucas Lodge
Synthesis
The lane near Lucas Lodge where Charlotte meets Mr. Collins.
❝ Miss Lucas perceived him from an upper window as he walked towards the house, and instantly set out to meet him accidentally in the lane. ❞
TH
The Church Door (Hunsford)
Synthesis
The door of the church at Hunsford, where the wedding party departs.
❝ The wedding took place: the bride and bridegroom set off for Kent from the church door, ❞
TH
The Drawing-Room Window at Gracechurch Street
Synthesis
The window of the drawing-room at the Gardiners' house, where Jane watches for Elizabeth.
❝ As they drove to Mr. Gardiner's door, Jane was at a drawing-room window watching their arrival: ❞
TH
The Stairs at Gracechurch Street
Synthesis
The staircase in the Gardiners' house, where the children wait.
❝ On the stairs were a troop of little boys and girls, ❞
TH
The Theatre (London)
Synthesis
A theatre in London where the party spends an evening.
❝ the evening at one of the theatres. ❞
TH
The Little Theatre (London)
Synthesis
A theatre in London mentioned by Lydia.
❝ the Little Theatre was open. ❞
TH
The Inn at Bromley
Synthesis
An inn on the road to London, where Lady Catherine recommends changing horses.
❝ Where shall you change horses? Oh, Bromley, of course. If you mention my name at the Bell, you will be attended to. ❞
TH
The Bell (Inn at Bromley)
Synthesis
The inn at Bromley where Lady Catherine's name is to be mentioned.
❝ If you mention my name at the Bell, you will be attended to. ❞
TH
The George (Inn)
Synthesis
An inn where the Bennet sisters meet on their return from London.
❝ when we got to the George, I do think we behaved very handsomely, ❞
TH
The Camp at Brighton
Synthesis
The military camp near Brighton where the militia is stationed.
❝ She saw all the glories of the camp: its tents stretched forth in beauteous uniformity of lines, crowded with the young and the gay, and dazzling with scarlet; ❞
TH
The Library at Meryton (Clarke's)
Synthesis
A circulating library in Meryton, where officers are seen.
❝ she sees them now very often standing in Clarke's library. ❞
TH
The Milliner's Shop in Meryton
Synthesis
A shop in Meryton where the Bennet ladies visit.
❝ to a milliner's shop just over the way. ❞
TH
The Lodgings of the Officers' Wives (Meryton)
Synthesis
The rented rooms where officers' wives live in Meryton.
❝ the two youngest repaired to the lodgings of one of the officers' wives, ❞
TH
The Parsonage House at Hunsford (general)
Synthesis
The overall building of the parsonage, including its garden and entrance.
❝ The garden sloping to the road, the house standing in it, the green pales and the laurel hedge, everything declared they were arriving. ❞
TH
The Gate at Hunsford Parsonage
Synthesis
The small gate leading to the parsonage via a gravel walk.
❝ the carriage stopped at the small gate, which led by a short gravel walk to the house, ❞
TH
The Gravel Walk at Hunsford Parsonage
Synthesis
The short gravel path from the gate to the parsonage door.
❝ the carriage stopped at the small gate, which led by a short gravel walk to the house, ❞
TH
The Green Pales at Hunsford Parsonage
Synthesis
The green fence around the parsonage garden.
❝ the green pales and the laurel hedge, everything declared they were arriving. ❞
TH
The Laurel Hedge at Hunsford Parsonage
Synthesis
The hedge bordering the parsonage garden.
❝ the green pales and the laurel hedge, everything declared they were arriving. ❞
TH
The Two Meadows at Hunsford Parsonage
Synthesis
Two meadows belonging to the parsonage, which Mr. Collins offers to show.
❝ From his garden, Mr. Collins would have led them round his two meadows; ❞
TH
The Opening in the Trees (Rosings view)
Synthesis
A gap in the trees bordering the park, offering a view of Rosings from the parsonage garden.
❝ none were to be compared with the prospect of Rosings, afforded by an opening in the trees that bordered the park nearly opposite the front of his house. ❞
TH
The Lane at Hunsford (near the lodges)
Synthesis
The lane near the lodges opening into Hunsford Lane, where Mr. Collins walks.
❝ Mr. Collins was walking the whole morning within view of the lodges opening into Hunsford Lane, in order to have the earliest assurance of it; ❞
TH
The Lodges at Rosings
Synthesis
The entrance lodges to Rosings Park.
❝ Mr. Collins was walking the whole morning within view of the lodges opening into Hunsford Lane, ❞
TH
The Road at Hunsford (crossing to Parsonage)
Synthesis
The road that the gentlemen cross to reach the parsonage.
❝ Charlotte had seen them from her husband's room, crossing the road, ❞
TH
The Dining-Room at Hunsford Parsonage (fronting lane)
Synthesis
The dining room that faces the lane, where Maria sees the phaeton.
❝ down they ran into the dining-room which fronted the lane, in quest of this wonder; ❞
TH
The Garden Gate at Hunsford Parsonage
Synthesis
The gate to the garden where the phaeton stops.
❝ it was two ladies, stopping in a low phaeton at the garden gate. ❞
TH
The Steps to the Hall at Rosings
Synthesis
The steps leading up to the entrance hall of Rosings.
❝ When they ascended the steps to the hall, Maria's alarm was every moment increasing, ❞
TH
The Window at Rosings (view)
Synthesis
A window at Rosings from which the view is admired.
❝ After sitting a few minutes, they were all sent to one of the windows to admire the view, ❞
TH
The Dining-Table at Rosings
Synthesis
The table where the dinner is served at Rosings.
❝ The dinner was exceedingly handsome, and there were all the servants, and all the articles of plate which Mr. Collins had promised; ❞
TH
The Card Tables at Rosings
Synthesis
The tables set up for card games at Rosings.
❝ the card tables were placed. ❞
TH
The Quadrille Table at Rosings
Synthesis
The table where quadrille is played.
❝ Lady Catherine, Sir William, and Mr. and Mrs. Collins sat down to quadrille; ❞
TH
The Cassino Table at Rosings
Synthesis
The table where cassino is played by Miss de Bourgh and others.
❝ as Miss De Bourgh chose to play at cassino, the two girls had the honour of assisting Mrs. Jenkinson to make up her party. ❞
TH
The Fire at Rosings (drawing-room)
Synthesis
The fireplace in the drawing-room at Rosings, around which the party gathers.
❝ The party then gathered round the fire to hear Lady Catherine determine what weather they were to have on the morrow. ❞
TH
The Coach at Rosings
Synthesis
The carriage that takes the Collinses home from Rosings.
❝ the carriage was offered to Mrs. Collins, gratefully accepted, and immediately ordered. ❞
TH
The Phaeton (Miss de Bourgh's)
Synthesis
Miss de Bourgh's low phaeton, in which she drives about.
❝ She not unfrequently stopped at the Parsonage, and had a few minutes' conversation with Charlotte, but was scarcely ever prevailed on to get out. ❞
TH
The Village (Hunsford)
Synthesis
The village near Rosings where Lady Catherine settles disputes.
❝ she sallied forth into the village to settle their differences, silence their complaints, and scold them into harmony and plenty. ❞
TH
The Open Grove (Rosings Park)
Synthesis
A sheltered path along the edge of the park, Elizabeth's favourite walk.
❝ Her favourite walk, and where she frequently went while the others were calling on Lady Catherine, was along the open grove which edged that side of the park, where there was a nice sheltered path, which no one seemed to value but herself, and where she felt beyond the reach of Lady Catherine's curiosity. ❞
TH
The Gate in the Pales (Rosings)
Synthesis
A gate in the fence of Rosings Park, opposite the parsonage.
❝ she was quite glad to find herself at the gate in the pales opposite the Parsonage. ❞
TH
The Turnpike Road (near Hunsford)
Synthesis
The main road near Hunsford, from which Elizabeth turns away.
❝ instead of entering the park, she turned up the lane which led her farther from the turnpike road. ❞
TH
The Park Gate (Rosings)
Synthesis
One of the gates into Rosings Park.
❝ she soon passed one of the gates into the ground. ❞
TH
The Grove (Rosings Park, near the gate)
Synthesis
A grove within the park, where Darcy walks.
❝ she caught a glimpse of a gentleman within the sort of grove which edged the park: he was moving that way; ❞
TH
The Plantation (Rosings Park)
Synthesis
A planted area in the park where Darcy disappears after giving the letter.
❝ then, with a slight bow, turned again into the plantation, and was soon out of sight. ❞
TH
The Bench in the Copse (Longbourn)
Synthesis
A bench in the copse at Longbourn where Elizabeth sits to read Mrs. Gardiner's letter.
❝ she sat down on one of the benches, and prepared to be happy; ❞
TH
The Dining-Room at the Inn (——)
Synthesis
The dining room of the inn where the Bennet sisters meet on their return from London.
❝ both Kitty and Lydia looking out of a dining-room upstairs. ❞
TH
The Opposite Milliner (at the inn town)
Synthesis
A milliner's shop opposite the inn where Kitty and Lydia visit.
❝ happily employed in visiting an opposite milliner, ❞
TH
The Sentinel on Guard (at the inn town)
Synthesis
A soldier on guard near the inn, watched by Kitty and Lydia.
❝ watching the sentinel on guard, ❞
TH
The Table at the Inn (——)
Synthesis
The table set with cold meat at the inn.
❝ they triumphantly displayed a table set out with such cold meat as an inn larder usually affords, ❞
TH
The Carriage (Bennet family)
Synthesis
The Bennet family carriage, used for travel.
❝ the carriage was ordered; and, after some contrivance, the whole party, with all their boxes, workbags, and parcels, and the unwelcome addition of Kitty's and Lydia's purchases, were seated in it. ❞
TH
The Boxes and Parcels (in the carriage)
Synthesis
The luggage carried in the Bennet carriage.
❝ the whole party, with all their boxes, workbags, and parcels, ❞
TH
The Band-box (Lydia's)
Synthesis
Lydia's band-box for her bonnet.
❝ I am glad I brought my bonnet, if it is only for the fun of having another band-box! ❞
TH
The Coach Blinds
Synthesis
The blinds of the carriage, which Lydia and Kitty pull up.
❝ as we went along Kitty and me drew up all the blinds, and pretended there was nobody in the coach; ❞
TH
The Dining-Room at Longbourn (large party)
Synthesis
The dining room at Longbourn when a large party is assembled.
❝ Their party in the dining-room was large, for almost all the Lucases came to meet Maria and hear the news; ❞
TH
The Table at Longbourn (dinner)
Synthesis
The dinner table at Longbourn.
❝ The dinner was as well dressed as any I ever saw. The venison was roasted to a turn—and everybody said, they never saw so fat a haunch. The soup was fifty times better than what we had at the Lucases' last week; ❞
TH
The Drawing-Room at Longbourn (after dinner)
Synthesis
The drawing room at Longbourn where the family gathers after dinner.
❝ When the tea things were removed, and the card tables placed, the ladies all rose; ❞
TH
The Card Tables at Longbourn
Synthesis
Tables for card games set up in the drawing-room at Longbourn.
❝ When the tea things were removed, and the card tables placed, the ladies all rose; ❞
TH
The Tea Table at Longbourn
Synthesis
The table where tea is served at Longbourn.
❝ the ladies had crowded round the table, where Miss Bennet was making tea, and Elizabeth pouring out the coffee, ❞
TH
The Coffee Table at Longbourn
Synthesis
The table where coffee is served.
❝ Elizabeth pouring out the coffee, ❞
TH
The Breakfast-Room at Longbourn (letter writing)
Synthesis
The breakfast room at Longbourn, used for writing letters.
❝ Elizabeth, who had a letter to write, went into the breakfast-room for that purpose soon after tea; ❞
TH
The Hearth at Longbourn (drawing-room)
Synthesis
The fireplace in the drawing-room at Longbourn.
❝ she perceived her sister and Bingley standing together over the hearth, as if engaged in earnest conversation; ❞
TH
The Dressing-Room at Longbourn (Mrs. Bennet's, upstairs)
Synthesis
Mrs. Bennet's dressing room upstairs, where she sits with Kitty.
❝ who had purposely broken up the card-party, and was sitting upstairs with Kitty. ❞
TH
The Library at Netherfield (Bingley's)
Synthesis
The library at Netherfield, which Mary wishes to use.
❝ Mary petitioned for the use of the library at Netherfield; ❞
TH
The Balls at Netherfield
Synthesis
The balls held at Netherfield, which Kitty wishes to attend.
❝ Kitty begged very hard for a few balls there every winter. ❞
TH
The Dining-Room at Longbourn (Bingley's visit)
Synthesis
The dining room at Longbourn during Bingley's visit after his engagement.
❝ their attention was suddenly drawn to the window by the sound of a carriage; and they perceived a chaise and four driving up the lawn. ❞
TH
The Lawn at Longbourn (front)
Synthesis
The front lawn of Longbourn, where carriages drive up.
❝ they perceived a chaise and four driving up the lawn. ❞
TH
The Chaise and Four (Lady Catherine's)
Synthesis
Lady Catherine's carriage, a chaise and four.
❝ they perceived a chaise and four driving up the lawn. ❞
TH
The Livery (Lady Catherine's servant)
Synthesis
The uniform of Lady Catherine's servant, unfamiliar to the Bennets.
❝ neither the carriage, nor the livery of the servant who preceded it, were familiar to them. ❞
TH
The Wilderness at Longbourn
Synthesis
A small, wild area on one side of the lawn at Longbourn.
❝ there seemed to be a prettyish kind of a little wilderness on one side of your lawn. ❞
TH
The Door of the Carriage (Lady Catherine's)
Synthesis
The door of Lady Catherine's carriage, where she takes leave.
❝ In this manner Lady Catherine talked on till they were at the door of the carriage, ❞
TH
The Dressing-Room Door (Mrs. Bennet's)
Synthesis
The door of Mrs. Bennet's dressing room, where she meets Elizabeth.
❝ Her mother impatiently met her at the door of her dressing-room, ❞
TH
The Library at Longbourn (Mr. Bennet's)
Synthesis
Mr. Bennet's library, where he receives letters and talks with Elizabeth.
❝ she was met by her father, who came out of his library with a letter in his hand. ❞
TH
The Fireplace in the Library (Longbourn)
Synthesis
The fireplace in Mr. Bennet's library.
❝ She followed her father to the fireplace, and they both sat down. ❞
TH
The Lane (near Longbourn, for walking)
Synthesis
A lane near Longbourn where Elizabeth and Darcy walk.
❝ Mrs. Bennet, have you no more lanes hereabouts in which Lizzy may lose her way again to-day? ❞
OA
Oakham Mount (view)
Synthesis
The view from Oakham Mount, which Darcy is curious to see.
❝ Darcy professed a great curiosity to see the view from the Mount, ❞
TH
The Library at Longbourn (evening, Mr. Bennet withdraws)
Synthesis
The library where Mr. Bennet withdraws in the evening.
❝ In the evening, soon after Mr. Bennet withdrew to the library, ❞
TH
The Table where Elizabeth sits with Kitty
Synthesis
A table in the drawing-room at Longbourn where Elizabeth and Kitty sit.
❝ In a few minutes he approached the table where she was sitting with Kitty; ❞
EL
Elizabeth's Work (needlework)
Synthesis
The needlework Elizabeth is engaged in.
❝ while pretending to admire her work, ❞
TH
The Dressing-Room at Longbourn (Elizabeth's)
Synthesis
Elizabeth's own dressing room, where she reflects.
❝ Elizabeth's mind was now relieved from a very heavy weight; and, after half an hour's quiet reflection in her own room, ❞
MR
Mrs. Bennet's Dressing-Room (night)
Synthesis
Mrs. Bennet's dressing room at night, where Elizabeth communicates the engagement.
❝ When her mother went up to her dressing-room at night, she followed her, and made the important communication. ❞
PE
Pemberley (Christmas gathering)
Synthesis
Pemberley as the destination for the Christmas gathering of the family.
❝ You are all to come to Pemberley at Christmas. ❞
ST
St. James's (Court)
Synthesis
The royal court, where Sir William Lucas was presented.
❝ his presentation at St. James's had made him courteous. ❞
TH
The Parsonage at Hunsford (Mr. Collins's humble abode)
Synthesis
Mr. Collins's parsonage, which he describes as humble.
❝ in describing to her all the grandeur of Lady Catherine and her mansion, with occasional digressions in praise of his own humble abode, ❞
TH
The Summer Breakfast Parlour at Rosings
Synthesis
A small breakfast parlour at Rosings, used in summer.
❝ he declared he might almost have supposed himself in the small summer breakfast parlour at Rosings; ❞
TH
The Housekeeper's Room at Rosings
Synthesis
The housekeeper's room at Rosings, mentioned in comparison.
❝ would hardly have resented a comparison with the housekeeper's room. ❞
TH
The Chimney-piece at Rosings (cost)
Synthesis
The expensive chimney-piece in one of Lady Catherine's drawing-rooms.
❝ the chimney-piece alone had cost eight hundred pounds, ❞
TH
The Mantel-piece at Pemberley (miniatures)
Synthesis
The mantelpiece in the dining-parlour at Pemberley, where miniatures are displayed.
❝ she saw the likeness of Mr. Wickham, suspended, amongst several other miniatures, over the mantel-piece. ❞
TH
The Gallery at Pemberley (upstairs)
Synthesis
The picture gallery on the upper floor of Pemberley.
❝ but in the gallery upstairs you will see a finer, larger picture of him than this. ❞
TH
The New Instrument at Pemberley (for Miss Darcy)
Synthesis
A new pianoforte recently arrived at Pemberley for Miss Darcy.
❝ In the next room is a new instrument just come down for her—a present from my master: ❞
TH
The Great Staircase at Pemberley
Synthesis
The main staircase at Pemberley, leading to the upper floors.
❝ as they proceeded together up the great staircase. ❞
TH
The Principal Bed-rooms at Pemberley
Synthesis
The main bedrooms at Pemberley, shown to visitors.
❝ The picture gallery, and two or three of the principal bed-rooms, were all that remained to be shown. ❞
TH
The Drawings of Miss Darcy (crayons)
Synthesis
Crayon drawings by Miss Darcy, displayed at Pemberley.
❝ she had willingly turned to look at some drawings of Miss Darcy's, in crayons, ❞
TH
The Portrait of Mr. Darcy (in the gallery)
Synthesis
A striking full-length portrait of Mr. Darcy in the picture gallery at Pemberley.
❝ At last it arrested her—and she beheld a striking resemblance of Mr. Darcy, with such a smile over the face, as she remembered to have sometimes seen, when he looked at her. ❞
TH
The Portrait of Mr. Darcy (miniature, in dining-parlour)
Synthesis
A miniature portrait of Mr. Darcy in the dining-parlour at Pemberley.
❝ And that, said Mrs. Reynolds, pointing to another of the miniatures, is my master—and very like him. ❞
TH
The Portrait of Miss Darcy (miniature, age 8)
Synthesis
A miniature of Miss Darcy drawn when she was eight years old.
❝ Mrs. Reynolds then directed their attention to one of Miss Darcy, drawn when she was only eight years old. ❞
TH
The Portrait of Mr. Wickham (miniature)
Synthesis
A miniature of Mr. Wickham, son of the late Mr. Darcy's steward, displayed at Pemberley.
❝ she saw the likeness of Mr. Wickham, suspended, amongst several other miniatures, over the mantel-piece. ❞
TH
The Hall at Pemberley
Synthesis
The entrance hall of Pemberley, where visitors wait for the housekeeper.
❝ On applying to see the place, they were admitted into the hall; and Elizabeth, as they waited for the housekeeper, had leisure to wonder at her being where she was. ❞
TH
The Lawn at Pemberley (by the river)
Synthesis
The lawn near the river at Pemberley, where the party walks.
❝ As they walked across the lawn towards the river, Elizabeth turned back to look again; ❞
TH
The Road behind Pemberley (to the stables)
Synthesis
The road leading behind Pemberley House to the stables.
❝ the owner of it himself suddenly came forward from the road which led behind it to the stables. ❞
TH
The Walk by the Water at Pemberley
Synthesis
A beautiful walk along the side of the water in Pemberley park.
❝ They had now entered a beautiful walk by the side of the water, and every step was bringing forward a nobler fall of ground, or a finer reach of the woods to which they were approaching; ❞
TH
The Higher Grounds at Pemberley (woods)
Synthesis
Elevated areas within the woods at Pemberley, offering views.
❝ They entered the woods, and, bidding adieu to the river for a while, ascended some of the higher grounds; whence, in spots where the opening of the trees gave the eye power to wander, were many charming views of the valley, the opposite hills, with the long range of woods overspreading many, and occasionally part of the stream. ❞
TH
The Simple Bridge at Pemberley (narrow part)
Synthesis
A simple bridge crossing the stream at a narrow point, in character with the natural scene.
❝ They crossed it by a simple bridge, in character with the general air of the scene: it was a spot less adorned than any they had yet visited; and the valley, here contracted into a glen, allowed room only for the stream, and a narrow walk amidst the rough coppice-wood which bordered it. ❞
TH
The Narrow Walk at Pemberley (glen)
Synthesis
A narrow path in the glen, bordered by coppice-wood.
❝ a narrow walk amidst the rough coppice-wood which bordered it. ❞
TH
The Opposite Side of the River (Pemberley)
Synthesis
The far bank of the river, where the party returns to the carriage.
❝ they took their way towards the house on the opposite side of the river, in the nearest direction; ❞
TH
The Fishing Spot at Pemberley
Synthesis
Parts of the stream at Pemberley where fishing is good.
❝ pointing out those parts of the stream where there was usually most sport. ❞
TH
The Brink of the River (Pemberley)
Synthesis
The edge of the river, where the party descends to inspect a water-plant.
❝ after descending to the brink of the river for the better inspection of some curious water-plant, ❞
TH
The Curricle (Darcy's)
Synthesis
The carriage in which Darcy and his sister arrive at Lambton.
❝ they saw a gentleman and lady in a curricle driving up the street. ❞
TH
The Street at Lambton
Synthesis
The main street of Lambton, where the curricle is seen.
❝ they saw a gentleman and lady in a curricle driving up the street. ❞
TH
The Inn at Lambton (drawing-room window)
Synthesis
The window of the inn at Lambton, from which the party sees the curricle.
❝ when the sound of a carriage drew them to a window, ❞
TH
The Stairs at the Inn (Lambton)
Synthesis
The stairs at the inn, where Bingley's step is heard.
❝ Bingley's quick step was heard on the stairs, ❞
TH
The Room at the Inn (Lambton, receiving visitors)
Synthesis
The room at the inn where Elizabeth receives Darcy, Bingley, and Miss Darcy.
❝ Miss Darcy and her brother appeared, and this formidable introduction took place. ❞
TH
The Saloon at Pemberley (northern aspect)
Synthesis
A saloon at Pemberley with a northern aspect, delightful in summer, with windows opening to the ground.
❝ On reaching the house, they were shown through the hall into the saloon, whose northern aspect rendered it delightful for summer. Its windows, opening to the ground, admitted a most refreshing view of the high woody hills behind the house, and of the beautiful oaks and Spanish chestnuts which were scattered over the intermediate lawn. ❞
TH
The Lawn at Pemberley (intermediate)
Synthesis
The lawn between the house and the woods, scattered with oaks and Spanish chestnuts.
❝ the beautiful oaks and Spanish chestnuts which were scattered over the intermediate lawn. ❞
TH
The Table at Pemberley (cold meat and fruit)
Synthesis
A table set with cold meat, cake, and fruits in the saloon at Pemberley.
❝ the entrance of servants with cold meat, cake, and a variety of all the finest fruits in season; ❞
TH
The Pyramids of Fruit at Pemberley
Synthesis
Beautiful pyramids of grapes, nectarines, and peaches on the table.
❝ the beautiful pyramids of grapes, nectarines, and peaches, soon collected them round the table. ❞
TH
The River at Pemberley (where Mr. Gardiner fishes)
Synthesis
The river at Pemberley where Mr. Gardiner is engaged in fishing.
❝ He had been some time with Mr. Gardiner, who, with two or three other gentlemen from the house, was engaged by the river; ❞
TH
The Carriage at Pemberley (departure)
Synthesis
The carriage that takes Elizabeth and the Gardiners away from Pemberley.
❝ Mr. Darcy handed the ladies into the carriage; and when it drove off, Elizabeth saw him walking slowly towards the house. ❞
TH
The Road to Longbourn (from Lambton)
Synthesis
The road taken by Elizabeth and the Gardiners on their return to Longbourn.
❝ Elizabeth, after all the misery of the morning, found herself, in a shorter space of time than she could have supposed, seated in the carriage, and on the road to Longbourn. ❞
TH
The Steps of Longbourn House
Synthesis
The steps leading to the front door of Longbourn.
❝ The little Gardiners, attracted by the sight of a chaise, were standing on the steps of the house, as they entered the paddock; ❞
TH
The Vestibule at Longbourn (return)
Synthesis
The vestibule where Elizabeth meets Jane on her return.
❝ Elizabeth jumped out; and after giving each of them a hasty kiss, hurried into the vestibule, where Jane, who came running downstairs from her mother's apartment, immediately met her. ❞
TH
The Drawing-Room at Longbourn (after return)
Synthesis
The drawing room where the family gathers after Elizabeth's return.
❝ When they were all in the drawing-room, the questions which Elizabeth had already asked were of course repeated by the others, ❞
MR
Mrs. Bennet's Apartment (upstairs)
Synthesis
Mrs. Bennet's room upstairs, where she receives the family.
❝ Mrs. Bennet, to whose apartment they all repaired, after a few minutes' conversation together, received them exactly as might be expected; ❞
TH
The Dining-Room at Longbourn (after return)
Synthesis
The dining room where the family dines after Elizabeth's return.
❝ In the dining-room they were soon joined by Mary and Kitty, ❞
TH
The Shrubbery at Longbourn (walking)
Synthesis
The shrubbery where Jane and Elizabeth walk and talk.
❝ as Jane and Elizabeth were walking together in the shrubbery behind the house, they saw the housekeeper coming towards them, ❞
TH
The Little Copse at Longbourn
Synthesis
A small wood on one side of the paddock, where Mr. Bennet walks.
❝ he is walking towards the little copse. ❞
TH
The Lawn at Longbourn (crossing)
Synthesis
The lawn at Longbourn, crossed by the girls to reach their father.
❝ they instantly passed through the hall once more, and ran across the lawn after their father, ❞
TH
The Breakfast-Room at Longbourn (after news)
Synthesis
The breakfast room where the girls wait after reading the letter.
❝ Their father then went to the library to write, and the girls walked into the breakfast-room. ❞
TH
The Writing-Table in the Library (Longbourn)
Synthesis
Mr. Bennet's writing table in the library.
❝ Elizabeth took the letter from his writing-table, and they went upstairs together. ❞
TH
The Dressing-Room at Longbourn (Mrs. Bennet's, with Mary and Kitty)
Synthesis
Mrs. Bennet's dressing room, where Mary and Kitty are with her.
❝ Mary and Kitty were both with Mrs. Bennet: one communication would, therefore, do for all. ❞
EL
Elizabeth's Own Room at Longbourn
Synthesis
Elizabeth's private room, where she retreats to think.
❝ Elizabeth received her congratulations amongst the rest, and then, sick of this folly, took refuge in her own room, that she might think with freedom. ❞
TH
The Dining-Room at Longbourn (Mrs. Bennet's return)
Synthesis
The dining room where Mrs. Bennet again takes her seat after her illness.
❝ It was a fortnight since Mrs. Bennet had been down stairs, but on this happy day she again took her seat at the head of her table, ❞
TH
The Breakfast-Room at Longbourn (Lydia's return)
Synthesis
The breakfast room where the family assembles to receive Lydia and Wickham.
❝ The family were assembled in the breakfast-room to receive them. ❞
TH
The Vestibule at Longbourn (Lydia's entrance)
Synthesis
The vestibule where Lydia's voice is heard.
❝ Lydia's voice was heard in the vestibule; the door was thrown open, and she ran into the room. ❞
TH
The Dining-Parlour at Longbourn (Lydia's dinner)
Synthesis
The dining parlour where the family dines with Lydia and Wickham.
❝ She then joined them soon enough to see Lydia, with anxious parade, walk up to her mother's right hand, ❞
TH
The Breakfast-Room at Longbourn (after dinner, Lydia's ring)
Synthesis
The breakfast room where Lydia shows her ring after dinner.
❝ she went after dinner to show her ring and boast of being married to Mrs. Hill and the two housemaids. ❞
TH
The Breakfast-Room at Longbourn (evening, Lydia's boast)
Synthesis
The breakfast room where Lydia boasts of her husband.
❝ Well, mamma, said she, when they were all returned to the breakfast-room, and what do you think of my husband? ❞
ST
St. Clement's Church (London)
Synthesis
The church in London where Lydia and Wickham are married.
❝ We were married, you know, at St. Clement's, because Wickham's lodgings were in that parish. ❞
WI
Wickham's Lodgings (London, St. Clement's parish)
Synthesis
The lodgings of Mr. Wickham in London, in the parish of St. Clement's.
❝ We were married, you know, at St. Clement's, because Wickham's lodgings were in that parish. ❞
TH
The Copse at Longbourn (Elizabeth's bench)
Synthesis
The copse at Longbourn where Elizabeth sits on a bench to read Mrs. Gardiner's letter.
❝ she sat down on one of the benches, and prepared to be happy; ❞
TH
The Door of the House at Longbourn (Wickham's approach)
Synthesis
The door of Longbourn house, approached by Elizabeth and Wickham.
❝ They were now almost at the door of the house, for she had walked fast to get rid of him; ❞
TH
The Paddock at Longbourn (Bingley's approach)
Synthesis
The paddock at Longbourn, where Bingley rides towards the house.
❝ she saw him from her dressing-room window enter the paddock, and ride towards the house. ❞
TH
The Dressing-Room Window at Longbourn (Mrs. Bennet's)
Synthesis
The window of Mrs. Bennet's dressing room, from which she sees Bingley.
❝ she saw him from her dressing-room window enter the paddock, and ride towards the house. ❞
TH
The Table at Longbourn (where Jane sits)
Synthesis
The table where Jane remains seated when Bingley arrives.
❝ Jane resolutely kept her place at the table; ❞
TH
The Window at Longbourn (Elizabeth looks out)
Synthesis
A window at Longbourn from which Elizabeth sees Darcy with Bingley.
❝ Elizabeth, to satisfy her mother, went to the window—she looked—she saw Mr. Darcy with him, and sat down again by her sister. ❞
TH
The Dining-Room at Longbourn (Bingley and Darcy visit)
Synthesis
The dining room at Longbourn during the visit of Bingley and Darcy.
❝ When they repaired to the dining-room, Elizabeth eagerly watched to see whether Bingley would take the place which, in all their former parties, had belonged to him, by her sister. ❞
TH
The Table at Longbourn (dinner, Bingley and Darcy)
Synthesis
The dinner table at Longbourn during the visit.
❝ His behaviour to her sister was such during dinnertime as showed an admiration of her, ❞
TH
The Drawing-Room at Longbourn (after dinner, tea)
Synthesis
The drawing room at Longbourn after dinner, where tea is served.
❝ the ladies had crowded round the table, where Miss Bennet was making tea, and Elizabeth pouring out the coffee, ❞
TH
The Card Tables at Longbourn (evening)
Synthesis
The card tables set up in the drawing-room at Longbourn in the evening.
❝ When the tea things were removed, and the card tables placed, the ladies all rose; ❞
TH
The Whist Table at Longbourn
Synthesis
The table where whist is played, with Mrs. Bennet and Darcy.
❝ seeing him fall a victim to her mother's rapacity for whist players, and in a few moments after seated with the rest of the party. ❞
TH
The Carriage at Longbourn (Netherfield gentlemen's)
Synthesis
The carriage of the Netherfield gentlemen, ordered before others.
❝ but their carriage was, unluckily, ordered before any of the others, ❞
TH
The Dressing-Room at Longbourn (Mrs. Bennet's, morning)
Synthesis
Mrs. Bennet's dressing room in the morning, where she is half dressed.
❝ In ran Mrs. Bennet to her daughters' room, in her dressing-gown, and with her hair half finished, ❞
TH
The Daughters' Room at Longbourn
Synthesis
The room of the Bennet daughters, where Mrs. Bennet rushes in.
❝ In ran Mrs. Bennet to her daughters' room, ❞
TH
The Library at Longbourn (Mr. Bennet's retreat)
Synthesis
The library where Mr. Bennet retires after tea.
❝ After tea, Mr. Bennet retired to the library, as was his custom, ❞
TH
The Instrument at Longbourn (Mary's)
Synthesis
The musical instrument that Mary plays upstairs.
❝ Mary went upstairs to her instrument. ❞
TH
The Hall at Longbourn (Mrs. Bennet's scheme)
Synthesis
The hall where Mrs. Bennet speaks to Elizabeth.
❝ Elizabeth made no attempt to reason with her mother, but remained quietly in the hall till she and Kitty were out of sight, then returned into the drawing-room. ❞
TH
The Breakfast-Room at Longbourn (Elizabeth writes letter)
Synthesis
The breakfast room where Elizabeth writes a letter.
❝ Elizabeth, who had a letter to write, went into the breakfast-room for that purpose soon after tea; ❞
TH
The Hearth at Longbourn (Bingley and Jane)
Synthesis
The hearth in the drawing-room where Bingley and Jane stand.
❝ she perceived her sister and Bingley standing together over the hearth, as if engaged in earnest conversation; ❞
TH
The Drawing-Room at Longbourn (Bingley's proposal)
Synthesis
The drawing room where Bingley proposes to Jane.
❝ On opening the door, she perceived her sister and Bingley standing together over the hearth, as if engaged in earnest conversation; ❞
TH
The Dining-Room at Longbourn (Lady Catherine's visit)
Synthesis
The dining room at Longbourn where Lady Catherine enters.
❝ their attention was suddenly drawn to the window by the sound of a carriage; and they perceived a chaise and four driving up the lawn. ❞
TH
The Window at Longbourn (dining-room, Lady Catherine)
Synthesis
The window of the dining room at Longbourn, through which the carriage is seen.
❝ their attention was suddenly drawn to the window by the sound of a carriage; ❞
TH
The Lawn at Longbourn (Lady Catherine's arrival)
Synthesis
The lawn at Longbourn, where Lady Catherine's chaise drives up.
❝ they perceived a chaise and four driving up the lawn. ❞
TH
The Door at Longbourn (Lady Catherine's entrance)
Synthesis
The door of Longbourn, thrown open for Lady Catherine.
❝ till the door was thrown open, and their visitor entered. ❞
TH
The Dining-Parlour at Longbourn (Lady Catherine surveys)
Synthesis
The dining parlour at Longbourn, surveyed by Lady Catherine.
❝ Lady Catherine opened the doors into the dining-parlour and drawing-room, and pronouncing them, after a short survey, to be decent-looking rooms, walked on. ❞
TH
The Drawing-Room at Longbourn (Lady Catherine surveys)
Synthesis
The drawing room at Longbourn, surveyed by Lady Catherine.
❝ Lady Catherine opened the doors into the dining-parlour and drawing-room, and pronouncing them, after a short survey, to be decent-looking rooms, walked on. ❞
TH
The Gravel Walk at Longbourn (to the copse)
Synthesis
The gravel path leading to the copse at Longbourn.
❝ They proceeded in silence along the gravel walk that led to the copse; ❞
TH
The Copse at Longbourn (Lady Catherine's walk)
Synthesis
The copse at Longbourn where Lady Catherine walks with Elizabeth.
❝ As soon as they entered the copse, Lady Catherine began in the following manner: ❞
TH
The Door of the Carriage at Longbourn (Lady Catherine's departure)
Synthesis
The door of Lady Catherine's carriage at Longbourn.
❝ In this manner Lady Catherine talked on till they were at the door of the carriage, ❞
TH
The Dressing-Room Door at Longbourn (Mrs. Bennet's, after Lady Catherine)
Synthesis
The door of Mrs. Bennet's dressing room, where she meets Elizabeth after Lady Catherine's visit.
❝ Her mother impatiently met her at the door of her dressing-room, ❞
TH
The Library at Longbourn (Mr. Bennet's, next morning)
Synthesis
The library where Mr. Bennet meets Elizabeth the next morning.
❝ The next morning, as she was going down stairs, she was met by her father, who came out of his library with a letter in his hand. ❞
TH
The Fireplace in the Library (Longbourn, Mr. Bennet and Elizabeth)
Synthesis
The fireplace in the library where Mr. Bennet and Elizabeth sit.
❝ She followed her father to the fireplace, and they both sat down. ❞
TH
The Lane near Longbourn (Elizabeth and Darcy's walk)
Synthesis
A lane near Longbourn where Elizabeth and Darcy walk and resolve their engagement.
❝ They walked towards the Lucases', because Kitty wished to call upon Maria; and as Elizabeth saw no occasion for making it a general concern, when Kitty left them she went boldly on with him alone. ❞
TH
The Road to Lucas Lodge
Synthesis
The road leading to Lucas Lodge, taken by Elizabeth and Darcy.
❝ They walked towards the Lucases', because Kitty wished to call upon Maria; ❞
TH
The Library at Longbourn (evening, Mr. Bennet and Darcy)
Synthesis
The library where Mr. Bennet and Darcy talk in the evening.
❝ In the evening, soon after Mr. Bennet withdrew to the library, she saw Mr. Darcy rise also and follow him, ❞
TH
The Table at Longbourn (Elizabeth and Kitty, evening)
Synthesis
The table where Elizabeth and Kitty sit in the evening.
❝ In a few minutes he approached the table where she was sitting with Kitty; ❞
EL
Elizabeth's Work (needlework, evening)
Synthesis
The needlework Elizabeth is doing in the evening.
❝ while pretending to admire her work, ❞
TH
The Library at Longbourn (Mr. Bennet and Elizabeth, consent)
Synthesis
The library where Mr. Bennet gives his consent to Elizabeth's engagement.
❝ Go to your father; he wants you in the library. ❞
EL
Elizabeth's Own Room at Longbourn (reflection after consent)
Synthesis
Elizabeth's room where she reflects after receiving her father's consent.
❝ Elizabeth's mind was now relieved from a very heavy weight; and, after half an hour's quiet reflection in her own room, she was able to join the others with tolerable composure. ❞
MR
Mrs. Bennet's Dressing-Room at Night (engagement announced)
Synthesis
Mrs. Bennet's dressing room at night, where Elizabeth tells her of the engagement.
❝ When her mother went up to her dressing-room at night, she followed her, and made the important communication. ❞
PE
Pemberley (Christmas, future home)
Synthesis
Pemberley as the future home of Elizabeth and Darcy, where the family will gather at Christmas.
❝ You are all to come to Pemberley at Christmas. ❞
NE
Netherfield (Bingley and Jane's first home)
Synthesis
Netherfield, where Bingley and Jane live for a twelvemonth after marriage.
❝ Mr. Bingley and Jane remained at Netherfield only a twelvemonth. ❞
DE
Derbyshire (Bingley's purchased estate)
Synthesis
An estate in a neighbouring county to Derbyshire, purchased by Bingley.
❝ he bought an estate in a neighbouring county to Derbyshire; ❞
PE
Pemberley (Georgiana's home)
Synthesis
Pemberley, now Georgiana's home after her brother's marriage.
❝ Pemberley was now Georgiana's home; ❞
LO
London (Wickham's occasional visits)
Synthesis
London, where Wickham occasionally goes to enjoy himself.
❝ Lydia was occasionally a visitor there, when her husband was gone to enjoy himself in London or Bath; ❞
BA
Bath (Wickham's occasional visits)
Synthesis
Bath, where Wickham occasionally goes to enjoy himself.
❝ Lydia was occasionally a visitor there, when her husband was gone to enjoy himself in London or Bath; ❞
PE
Pemberley (Lady Catherine's visit)
Synthesis
Pemberley, where Lady Catherine eventually visits after the marriage.
❝ she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, ❞
TH
The Woods at Pemberley (pollution mentioned)
Synthesis
The woods at Pemberley, which Lady Catherine considers polluted by Elizabeth's presence and her relatives' visits.
❝ in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city. ❞
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